Death Bed: The Bed That Eats

An immortal artist who witnesses the bed’s carnage and holds the key to its destruction. He is wry, perceptive, and instrumental in guiding the ritual to end the bed’s reign. Though bound to a painting, he maintains agency and moral clarity amid the horror.

One of the three women who encounter the bed’s remnants in the countryside. She is sensitive to the bed’s reactions and shares in the danger of discovery. She participates in the events leading to the ritual and ultimately faces a tragic fate.

Another traveler who helps uncover the bed’s haunted past. She becomes entangled in the bed’s cycles and its deadly mood. Her fate is linked to the bed’s reactions and the ritual’s outcome.

The third woman who is drawn into the mansion’s horrors. She is the victim strangled by the bed’s crucifix-wielding attack. Her death marks one of the bed’s many killings and foreshadows the ritual’s stakes.

An early victim who falls prey to the bed’s appetite in the mansion’s initial intrusion. The killing scene establishes the bed as a predatory force and sets the grim tone for the cycle.

A later victim whose death demonstrates the bed’s ever-hungry appetite and the growing peril surrounding the house. The bed’s hunt intensifies as the cycle continues.

An embedded narrative device through which the artist communicates during the ritual. He provides guidance and perspective, linking the painting’s witness to the living world.

A revived figure tied to the bed’s powers and the ritual’s consequences. She embodies the cycle of life, death, and rebirth that defines the film’s core conflict.