Deal of the Century

Harold DeVoto commits suicide after the military junta in San Miguel strings him along with false promises while simultaneously negotiating with Eddie Muntz. Unable to close the lucrative Peacemaker deal and facing mounting pressure from Luckup to deliver results, DeVoto sees no way out. His death leaves his widow Catherine to blame Muntz for stealing the deal and destroying her husband's career.

Earlier scenes show DeVoto growing increasingly desperate as the junta delays the contract and gives him contradictory assurances.

Catherine, Harold DeVoto's widow, shoots Eddie Muntz because she blames him for her husband's suicide. After Muntz swoops in and takes over the San Miguel deal that DeVoto had been chasing, she holds him responsible for destroying her husband's career and driving him to despair. She wounds him and reopens his earlier foot injury.

The film establishes Catherine's grief and anger immediately after DeVoto's death, showing her determination to confront the man she holds responsible.

The Peacemaker is a sophisticated pilotless drone developed by Luckup, the company Harold DeVoto represents. It's designed to fly without pilots or airbases, representing a revolutionary change in modern warfare. Muntz positions it as the key to winning the San Miguel contract, marketing it as a weapon that can conduct precision strikes without risking military personnel.

The Peacemaker is introduced early as the most advanced weapon in the film, making it the centerpiece of the competitive arms deal.

San Miguel walks away from the deal after a catastrophic public demonstration of the Peacemaker drone goes wrong. The demonstration is disastrous and highly publicized, making the weapon seem unreliable and dangerous. This humiliation causes the dictatorship to abandon negotiations with Luckup entirely, setting back Muntz's plans.

The Peacemaker demonstration is shown as a critical moment where the weapon's failure becomes public, directly leading to the deal's collapse.

Massagi reveals that the global arms trade depends on perpetual conflict and explains how recent legal changes have made foreign bribery not only legal but tax-deductible. He argues that their industry thrives by sustaining endless localized wars, and he pushes Muntz to consider the real human cost of every sale. This conversation intensifies Muntz's moral doubts about his profession.

Massagi's visit occurs on the eve of the major defense expo, adding moral weight to the final confrontation.

Ray Kasternak hijacks a fighter jet during the weapons expo as a dramatic protest against the arms trade. As a former fighter pilot undergoing a religious crisis, Ray sees the hijacking as a way to expose the dangerous theatrics of the defense industry. He dares the organizers to shoot him down, turning the demonstration into a crisis that forces everyone to confront the reality of what they're selling.

Ray's spiritual crisis and moral unease about weapons are established earlier, building to this desperate act of rebellion.

Muntz uses his cane to shut off the Peacemaker's remote control panel before the drone can continue its attack. This act disables the device's guidance system, allowing Ray Kasternak to destroy the uncontrolled drone with his fighter jet. The cane, originally an aid for his foot injury, becomes an unexpected weapon to prevent mass casualties at the expo.

Muntz's foot injury from the earlier firefight is shown prominently, making his cane a distinctive element that pays off in this climactic moment.

Ray Kasternak leaves the arms industry to become a missionary as a result of his spiritual crisis and moral awakening throughout the film. After witnessing the destructive power of the weapons he helped sell and participating in the chaotic expo, he chooses to pursue a life of faith and purpose. His conversion represents the film's theme of redemption through rejecting the arms trade.

Ray's religious crisis and questioning of his profession are established early, making his departure a logical conclusion to his character arc.

Eddie Muntz leaves weapons trafficking and starts working at his brother's used car dealership, representing his attempt at a moral fresh start. While the film suggests he's genuinely trying to go straight, the ending implies that his skills in deal-making haven't disappeared, they've simply shifted to a more legitimate, if still questionable, form of commerce. Selling cars to Catherine hints at future dealings in a quieter, less deadly industry.

Muntz's survival and the destruction of the Peacemaker set the stage for his departure from the arms business.

San Miguel's dictator accompanies Muntz to the weapons expo, where he is shown as a willing customer eager to purchase advanced weapons. After the Peacemaker goes out of control and the expo descends into chaos, the dictator's fate is left ambiguous. The film focuses more on the American characters' outcomes rather than detailing what happens to the dictatorship itself.

The dictator's presence at the expo emphasizes the personal connections between the arms dealers and the regimes they supply.

Muntz takes over the San Miguel deal after the junta essentially abandons DeVoto, leaving the contract unclaimed. Seeing an opportunity to secure a multi-million dollar deal, Muntz leverages his relationships with both the rebels and the dictatorship to close the contract himself. This ruthless move angers DeVoto's widow Catherine, who holds Muntz responsible for her husband's downfall.

Muntz's aggressive salesmanship and willingness to work with both sides are established from his arrival in San Miguel.

Eddie Muntz gets shot in the foot during a firefight while pitching weapons to rebels in San Miguel. The interruption occurs in the middle of his sales pitch, throwing the deal into chaos. The injury haunts him throughout the film, it reopens when Catherine shoots him in the United States, and it ultimately becomes significant when he uses his cane to disable the Peacemaker drone.

The foot injury occurs early in the film and is referenced multiple times, making it a recurring element that pays off in the climax.