Communion

In 1985, Whitley Strieber is a successful New York author whose nights are haunted by uneasy dreams of an unseen presence. By day he moves through Manhattan’s literary circles with a confident ease, yet the shadows that linger after he closes his manuscript hint at something beyond ordinary imagination. The film paints his world in the muted tones of a city that never sleeps, while a persistent, disquieting undercurrent suggests that the ordinary may be a thin veneer.

When Strieber and his family retreat to a secluded cabin in the mountains, the tranquil wilderness becomes a stark contrast to his urban life. A sudden flash of bright light and a fleeting glimpse of a watchful face at the doorway awaken both wonder and terror, casting a strange glow over the familiar comforts of his wife Anne and son Andrew. Their weekend getaway, meant to be a quiet escape, transforms into an unsettling tableau where the boundaries between reality and the inexplicable begin to blur.

Back in the city, Strieber’s creative routine is increasingly cracked by vivid visions of otherworldly beings—grey silhouettes, blue‑clad figures, and insect‑like shapes that intrude on his waking hours. The once‑steady marriage feels the strain as Anne watches her husband grapple with doubts that threaten to unravel their domestic stability. Concerned for his son, Strieber seeks the counsel of Dr. Janet Duffy, a therapist attuned to the mysteries of memory and trauma, whose sessions probe the depth of his experiences without offering easy answers.

The tone of the story is a careful balance of psychological tension and subtle horror, inviting viewers to dwell in the liminal space where everyday life meets the unknown. Through Strieber’s reluctant quest for meaning, the film explores how a single, inexplicable encounter can ripple through a family’s ordinary world, leaving them to wonder what lies just beyond the edge of perception.

Last Updated: December 03, 2025 at 23:42