Come Back to Me

Come Back to Me

Year: 2014

Runtime: 90 min

Language: English

Director: Paul Leyden

Horror

A woman experiences unsettling blackouts and struggles to recall lost time. Determined to find answers, she begins recording her home, hoping to shed light on the gaps in her memory. Her investigation leads her to a disturbing discovery about her neighbor, forcing her to question her perception of reality and her own mental state. The unsettling truth she uncovers puts her safety and sanity at risk.

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In a quiet suburban neighborhood where the ordinary hum of daily life is punctuated by the occasional flicker of uncertainty, a woman finds herself haunted by inexplicable blackouts. Each gap in her memory feels like a missing piece of a puzzle she cannot quite see, and the unsettling feeling that something crucial slips away in the dark drives her to take unconventional measures. Determined to shed light on the shadows that linger behind her eyes, she rigs a network of hidden cameras throughout her home, turning her living space into a silent witness to whatever unfolds when she cannot remember.

Sarah is the woman at the centre of this uneasy quest. A graduate student whose research already probes the complexities of human perception, she now turns that same analytical mind inward, documenting every whispered creak, every fleeting silhouette that the lenses catch. Across the street lives Dale, a neighbor whose courteous gestures and seemingly routine interactions mask an undercurrent of mystery. Their occasional exchanges hint at unspoken histories, and the thin veneer of neighborly politeness begins to feel like a fragile shield against something far less benign.

The film moves with a deliberate, almost clinical pace, letting the audience linger in the spaces between what is seen and what is felt. Light and shadow play across the screen in a way that mirrors Sarah’s own fractured recollections, while the ambient sounds of the house—soft ticking, distant traffic, the low hum of the recorder—create an atmosphere that is both intimate and oppressive. A sense of dread builds not from overt threats, but from the growing awareness that reality might be slipping just out of reach, and that the very walls meant to protect may be concealing the truth.

As she watches the footage alone in the dark, Sarah confronts the unsettling possibility that her neighbor’s presence is more than casual proximity. The recordings become a portal into a world where perception and memory clash, forcing her to question not only the safety of her surroundings but the reliability of her own mind. The tension between curiosity and terror sets the stage for a psychological journey where every moment of clarity could be the prelude to another, deeper unknowable lapse.

Last Updated: October 07, 2025 at 13:26

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