Year: 1986
Runtime: 93 mins
Language: English
His passion came with a price. The film retells the turbulent life of 17th‑century Baroque master Michelangelo Merisi da Caravaggio, tracing how his revolutionary, almost blasphemous canvases—marked by stark chiaroscuro and raw humanity—mirrored his reckless entanglements with the criminal underworld, leading to violence, exile, and a lasting artistic legacy.
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Read the complete plot breakdown of Caravaggio (1986), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Caravaggio Nigel Terry dies from lead poisoning while in exile, accompanied by his long-time, mute companion Jerusaleme Spencer Leigh, who was given by his family to the artist as a boy. Caravaggio thinks back to his life as a teenage street ruffian who hustles and paints. While taken ill and in the care of priests, the young Caravaggio catches the eye of Cardinal Francesco Maria del Monte [Michael Gough], who nurtures his artistic and intellectual development but seems to molest him.
As an adult, Caravaggio still lives under the roof of, and paints with the funding of, del Monte. He employs street people, drunks and prostitutes as models for his intense, usually religious paintings. He is depicted as frequently brawling, gambling, getting drunk and is implied to sleep with both male and female models. In the art world, Caravaggio is regarded as vulgar and entitled for his Vatican connections.
One day, Ranuccio [Sean Bean] introduces Caravaggio to his girlfriend Lena [Tilda Swinton], who also becomes a model to the artist. When both Ranuccio and Lena are separately caught kissing Caravaggio, each displays jealousy over the artist’s attentions. Lena announces she is pregnant without stating who the father is and will become a mistress to the wealthy Scipione Borghese [Robbie Coltrane]. Soon, she is found murdered by drowning. Ranuccio weeps as Caravaggio and Jerusaleme clean Lena’s body. Caravaggio is shown painting Lena after she dies and mournfully writhing with her body. Ranuccio is arrested for Lena’s murder, but he claims to be innocent. Caravaggio pulls strings and goes to the pope [Jack Birkett] to free Ranuccio. When Ranuccio is freed, he tells Caravaggio he killed Lena so they could be together. In response, Caravaggio cuts Ranuccio’s throat, killing him. Back on his deathbed, Caravaggio is shown having visions of himself as a boy and trying to refuse the last rites offered him by the priests.
Last Updated: October 09, 2025 at 14:40
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Biographies where immense creative vision is fueled by a dark and reckless life.If you liked the intense portrayal of Caravaggio's tumultuous life, you'll find similar stories here. This collection features movies about famous artists and creators whose revolutionary work is intrinsically linked to their self-destructive behaviors, volatile relationships, and dark personal struggles.
These narratives typically follow a biographical or quasi-biographical arc, charting the rise of a unique talent alongside their descent into hedonism, violence, or mental turmoil. The central conflict is often between the purity of the art and the messiness of the artist's life, leading to tragic consequences.
This thread groups films that share a fascination with the connection between genius and madness. They are united by a dark tone, a heavy emotional weight, and a focus on the personal cost of great art, offering a raw and unvarnished look at creative passion.
Historical stories where illicit love and criminal desires lead to moral decay.For viewers who enjoyed the gritty, sensual, and violent world of Caravaggio, this thread gathers similar historical dramas. These movies explore the dark side of history, featuring complex LGBTQ+ relationships, criminal underworlds, and passionate characters whose actions lead to downfall.
The plot often revolves around a central, morally compromised character navigating a world of strict social codes. Their illicit passions—often homosexual or otherwise taboo—clash with the power structures of their time, sparking a chain of events involving crime, jealousy, and violence that culminates in a bleak resolution.
Movies in this thread are connected by their dark, sensual atmosphere, their exploration of taboo relationships in historical settings, and their unflinching portrayal of how passion can corrupt and destroy. They share a high degree of intensity and a consistently somber mood.
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