Year: 2000
Runtime: 153 mins
Language: Tamil
Director: T. P. Gajendran
Padmanabhan, nicknamed “Budget” for his stingy ways, is determined to protect his father’s home from aggressive money lenders. His efforts are constantly thwarted by his wife’s lavish spending, which prevents him from setting aside the funds needed to keep the house safe.
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From a young age, Padmanabhan was driven from his home by a ruthless moneylender who laid down a cruel rule: if he could not raise enough money within a set period to buy back the house, it would belong to the lender forever. This early wound colors his entire life, turning him into a man who watches every rupee and schedules every expense with almost obsessive precision, even after he marries Ramya and the couple shares a cramped home with relatives.
His frugality begins to strain the warm bonds of family and marriage, as he places financial calculations above intimate moments and spontaneous generosity. Within the same household, a subplot unfolds when Padmanabhan hires a housemaid, Omana, who turns out to be the estranged wife of his boss’s son. This revelation adds friction and complexity to daily life, testing loyalties and stirring unspoken emotions in the tight-knit living arrangement.
The core journey follows Padmanabhan as he battles to amass enough money to reclaim the family home while weathering life’s inevitable changes. A significant turning point arrives when Ramya gives birth to triplets, broadening their world and softening the edges of Padmanabhan’s previously hard-edged approach to life. Through these changes, the story emphasizes that relationships and human values hold deeper weight than mere wealth, guiding him toward a broader understanding of happiness and fulfillment.
Just as hope seems within reach, a sharp twist shatters the plan: the money is stolen from his motorcycle. In that moment of despair, he contemplates surrendering the house to the moneylender. Yet, fate offers a glimmer of relief when the money is provided by his boss’s son, arriving just in time to alter the outcome and expose the lender’s grip on power.
The lender’s world begins to crumble under the weight of his own realization. He orders his relatives to pack up and leave, dragging his two children away from the family home, while the children cry and beg Padmanabhan to let them stay until they are grown. Moved by their plea and recalling his own childhood heartbreak, Padmanabhan makes a compassionate choice to allow them to remain until the children are older. This act of mercy, paired with the lender’s embarrassment and regret, triggers a cathartic confession and the return of the stolen money, along with a plea for forgiveness.
In a parallel thread, Omana’s own life unfolds with a sense of renewal as she reunites with her long-lost love. The film closes on a hopeful note with her giving birth to triplets in the hospital, a symbolic echo of new beginnings, cycles, and the enduring value of family.
Last Updated: October 09, 2025 at 16:41
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