Bergman Island

Chris and Tony Sanders travel to Fårö to attend a film screening and immerse themselves in the Bergman landscape. Tony idolizes Bergman and feels inspired by the island, while Chris carries a growing unease about the filmmaker's personal failings. The journey sets up the tension between artistic admiration and personal critique.

Throughout the screening, Tony's admiration for Bergman's art contrasts with Chris's discomfort about the director's treatment of women and as a father. She loves the movies but remains wary of the artist's personal failings. The dynamic foreshadows the film's exploration of art versus life.

After the Q&A ends, Chris slips away from the screening. At the Bergman burial church, she meets Hampus, a Swedish film student, who invites her to explore the island with him. She agrees, seeking a break from Tony's presence and the screening's aura.

Chris accepts Hampus's offer to explore the island, leaving Tony to take the Bergman Safari tour on his own. The choice marks a divide between their personal pursuits that will echo through the trip. The island becomes a space where different viewpoints and ambitions collide.

The day after, Chris learns that Tony found his time on the island productive while she remains stuck with only a rough outline. She decides to share her work with him, hoping he can offer guidance or perspective. The moment heightens the tension between collaboration and mutual dependence.

Chris sneaks a look at Tony's journal and uncovers provocative drawings of female figures in painful, subjugated positions. The revelation exposes a darker side to Tony that complicates Chris's feelings about his artistic influence. The moment intensifies their emotional distance.

In the screenplay Chris is writing, Amy travels to Fårö for a friend's wedding where she and Joseph rekindle a long-ago affair. They spend the day together and later have sex after the wedding. The affair blooms despite their existing relationships, foreshadowing heartbreak.

Amy discovers that Joseph has repeatedly been unfaithful to his girlfriend, leaving her crushed. In the morning, Joseph expresses regret about their night together, but Amy remains unrepentant. The relationship erodes as departure from the island looms.

Amy tries to continue the affair during their brief remaining time on the island, but Joseph repeatedly brushes her off. He eventually leaves the island without informing her, leaving Amy to return to her rented home in defeat. The emotional arc of the screenplay echoes the real-life tensions between pursuit and avoidance.

Throughout Chris's attempt to discuss the ending, Tony is repeatedly interrupted by phone calls or disengaged, signaling a lack of engagement with her work. He refuses to help with the ending, highlighting a rift in their collaboration. The tension underscores the film's meditation on creative support and distance.

Tony leaves Fårö to collect their daughter June and bring her to the island, changing the dynamic from a private retreat to family logistics. The departure marks a shift toward parental responsibilities and away from the isolated creative space. The family unit is reassembled on the island.

Chris travels to Bergman Estate and runs into Hampus on his way out; he leaves her the key and she falls asleep. She wakes to Anders Danielsen Lie, who reveals that despite wrapping up his scenes for the day he has stayed to see Bergman's house. He laments that Chris didn't write him into the scene, and she shows him the library.

Anders Danielsen Lie's character recounts his late-night stay to view Bergman's house and urges Chris to consider writing him into the story. Chris shows him the library and the sense of possibility that comes with collaborative casting and setting.

They attend dinner with Mia Wasikowska; Anders Danielsen Lie and Chris play a game of Ludo late into the night. He thanks her for casting him in his movie before encouraging her to go to sleep. The scene casts a quiet, intimate spotlight on their budding collaboration.

Tony returns to the island with June; June reunites with Chris at a windmill on Bergman's property, bringing the journey full circle. The family unit is restored as the island quiets around them. The windmill becomes a visual anchor for the trip's emotional resolution.