Belphegor, Phantom of the Louvre

A spectacular collection of Egyptian relics arrives at the Louvre, turning the museum’s marble corridors into a temporary crossroads between ancient mystery and modern science. The grandeur of the world‑renowned galleries provides a backdrop where the quiet hum of climate control systems and the soft click of laser‑scanning equipment become part of the daily rhythm, while the weight of centuries‑old history presses against glass‑case doors.

When the laser device probes a newly acquired sarcophagus, a subtle disturbance hints at something beyond the physical. The museum’s meticulous curator, Bertrand Faussier, calls in a specialist, and the renowned Egyptologist Glenda Spencer steps into the vaulted halls to assess the findings. Their scholarly pursuit quickly brushes against an unnerving presence that seems to slip through the very circuitry that powers the Louvre’s lights, suggesting that the past may be reaching out in an unexpected way.

Across the street, a young woman named Lisa watches the museum’s towering silhouette from her modest apartment. One night, chasing a stray cat that has wandered inside, she slips through a side door and experiences a sudden electrical shock that leaves her oddly transformed. The incident creates a strange connection between her and the unseen force that drifted from the sarcophagus, introducing a personal strand of mystery that intertwines her ordinary life with the museum’s hidden depths.

The strange occurrences soon draw the attention of Verlac, a seasoned detective who has stepped out of retirement. His return to the precinct’s quiet corridors is marked by a methodical curiosity, as he begins to piece together the subtle clues left by the museum’s staff and the lingering resonance of the ancient artifacts. As he moves through the gallery’s echoing spaces, the story settles into a tone that balances elegant elegance with an unsettling undercurrent, inviting the audience to wonder how far the shadows of antiquity can stretch into the present.