Back-Room Boy

In the bleak, wind‑lashed reaches of a Scottish island, Arthur Pilbeam—a meticulous BBC meteorologist whose life has been punctuated by the steady tick of the hourly pips—finds himself cast away from the familiar hum of the studio after his fiancée, Betty, ends their engagement. Seeking solitude and a break from romantic entanglements, he accepts a posting to a remote lighthouse, a place the locals warn is prone to madness and whispered curses. The stark, yawning sea and the constant roar of the gale create a setting that feels both timeless and unnervingly isolated, a perfect backdrop for a story that balances wry British humor with mounting unease.

Upon arrival, the lighthouse proves less solitary than promised. A young stowaway named Jane appears, bringing a fresh innocence to the cramped quarters, while Bobbie, a glamorous model rescued from a torpedoed vessel, adds a touch of worldly flair. Their presence transforms the outpost into a micro‑cosm of strangers, each carrying their own quirks and histories. The uneasy camaraderie that forms among the eclectic group is punctuated by the ever‑present whisper of the wind, the creaking of ancient stone, and the looming knowledge that they are thirteen souls together—an ominous number that subtly colors every interaction.

As days bleed into sleepless nights, the thin veil of normalcy begins to fray. Unexplained vanishings start to ripple through the tight‑knit community, turning the lighthouse’s once‑harsh isolation into a palpable threat. The atmosphere shifts from merely claustrophobic to something far more sinister, and Pilbeam—with his methodical mind and lingering desire to control the situation—finds himself compelled to uncover the hidden forces at work. The film swirls between moody suspense and dry wit, inviting the audience to linger in the fog‑laden corridors of the lighthouse while wondering what unseen current will pull the remaining inhabitants deeper into mystery.

Last Updated: December 05, 2025 at 10:01