Are You Listening?

Are You Listening?

Year: 1932

Runtime: 73 mins

Language: English

Director: Harry Beaumont

DramaCrime

Don’t touch that dial. WBLA fills the airwaves with live music, melodramatic serials and relentless commercial spots that keep shoppers buying and sponsors smiling. When a plumbing‑supply sponsor complains, scriptwriter Bill Grimes (William Haines, two years past his peak as Hollywood’s leading man) is fired, turning the film from light comedy into a dark, Depression‑era melodrama. The picture offers vivid snapshots of 1930s radio production and showcases “peroxide cuties” chasing jobs, sugar daddies, or both.

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Timeline & Setting – Are You Listening? (1932)

Explore the full timeline and setting of Are You Listening? (1932). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1930s, Great Depression era

Set during the Great Depression, the film portrays widespread financial strain that shapes marriage, careers, and social expectations. Radio entertainment provides escape and influence, while sponsors and media intrude on private life. The period's economic precariousness amplifies personal choices and consequences for each character.

Location

Miami, Radio Station, Hotel Room

The story travels through a bustling radio-station environment and intimate hotel rooms, reflecting the era's urban backdrop. Key action happens around the studio, backstage sounds, and the tense hotel encounters of a man facing personal collapse. The ending brings the couple to Miami, underscoring a cross-state escape as a glimmer of hope amid the era's hardships.

🏙️ Urban 🕰️ Depression era 🎞️ Classic cinema

Last Updated: October 04, 2025 at 19:24

Main Characters – Are You Listening? (1932)

Meet the key characters of Are You Listening? (1932), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Bill Grimes (William Haines)

A radio writer whose sharp wit is dimmed by a bitter marriage and economic hardship. He loves Laura but remains entangled with Alice due to financial and social pressures, and his depression erodes his ability to work. After a series of personal failures, he is involved in a fatal confrontation and is later convicted of manslaughter. His arc centers on guilt, survival, and a fragile hope for change.

🎭 Protagonist 💼 Radio writer 😞 Depressed 💔 Unhappy marriage

Alice Grimes (Karen Morley)

Bill's wife who resents him yet cannot detach due to financial necessity during the Depression. She enforces appearances at public occasions, antagonizing Bill, and ultimately confronts him in a moment of crisis. Her death after a push becomes the pivotal event that drives the plot toward its controversial aftermath.

🎭 Wife 💔 Strained relationship 💰 Financial pressure

Laura O'Neil (Madge Evans)

A radio actress and Bill's romantic interest. She initially distances herself as the situation grows complicated but ultimately decides to run away with him, seeking honesty and companionship beyond their respective complications. Her choices reflect a blend of pragmatism and longing amid the era's constraints.

🎭 Love interest 💃 Radio actress 🤝 Complicity

Honey O'Neil (Joan Marsh)

The younger, naïve sister who comes to town eager for romance and double dates. She drinks at a critical moment, is rescued by her sister, and later finds a genuine, decent connection with a nice guy at the radio station, highlighting a path toward healthier affection.

👧 Naive 🥂 Drinking 💘 New love

Larry Barnes (Anita Page)

A supporting figure in the social and romantic ecosystem surrounding the central trio. The summary provides limited detail about Larry Barnes, but the character appears within the network of relationships and radio-life connections that populate the film.

🟣 Supporting role 🗣️ Social circle

Ted Russell (John Miljan)

A station employee described as the 'nice guy at the station' whose honorable intentions position him as a potential love interest or confidant within Honey's storyline. His presence anchors a counterpoint to the more volatile romantic dynamics in the film.

💼 Radio staff 🤝 Honorable 💡 Trustworthy

George Wagner (Jean Hersholt)

A sponsor figure connected to the station—a bathtub magnate who wields influence over the radio program. He disapproves of the show's romantic subplots as a mismatch with his brand, illustrating the tension between entertainment and commerce.

💰 Sponsor 🛁 Business magnate

Fred (Lucien Littlefield)

A minor member of the radio world, likely involved in backstage or administrative duties. He provides texture to the studio environment without playing a central role in the plot's core romance or crime.

🎭 Supporting 🗣️ Radio staff

Pierce (Charley Grapewin)

A secondary character within the bustling radio milieu, contributing to the backdrop of backstage humor and workplace dynamics.

🎭 Supporting 🗣️ Radio staff

Mrs. Peters (Ethel Griffies)

A minor, possibly maternal or elder figure who appears in the station or social scenes; provides a steadying presence in the bustling, melodramatic narrative.

🧓 Supporting 🗨️ Station life

Mr. Carson (Murray Kinnell)

A maleSupporting character whose presence underscores the professional and social networks surrounding the main cast during the radio and Depression-era era.

🧑‍💼 Supporting 🗺️ Industry figure

Radio station sound effects man (Hank Mann)

A comic, backstage figure responsible for the sound effects that punctuate the studio scenes and provide light relief amid the dramatic arcs.

🎛️ Behind-the-scenes 🎭 Comic relief

Last Updated: October 04, 2025 at 19:24

Major Themes – Are You Listening? (1932)

Explore the central themes of Are You Listening? (1932), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

💔 Love under pressure

Love triangles and conflicting loyalties push the main relationships to their limits. Bill's affection for Laura competes with his obligation to Alice, and both romance and duty collide with financial strain. The depression-era setting intensifies the emotional stakes, making small gestures feel both meaningful and risky. The ending suggests a pursuit of happiness despite considerable odds.

🗞️ Media sensationalism

The radio station manager and press exploit the crime as sensational content, shaping public perception and pressuring the investigation. On-air and on-page narratives twist events to sell stories and drive viewership. This manipulation influences Bill's fate and the moral reading of his actions. The film critiques how media can amplify guilt and tragedy for entertainment.

💰 Financial hardship

The Depression forces couples to cling to unstable arrangements for financial survival, blurring lines between affection and obligation. Economic dependence informs decisions, such as staying married to avoid housing costs and maintaining appearances. Monetary stress also fuels desperation and poor judgment. The plot uses money concerns to explain behavior beyond pure romance or crime.

⚖️ Consequences and guilt

Bill's impulsive push results in death, triggering legal and personal consequences that shadow the rest of his life. The trial and conviction for manslaughter frame guilt as a social as well as personal burden. Laura's choices, the media circus, and the moral ambiguity of the crime complicate sympathy for the characters. The closing lines mix grim realism with a fragile thread of hope.

Last Updated: October 04, 2025 at 19:24

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Are You Listening? Summary

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