Year: 2002
Runtime: 90 mins
Language: French
Director: Robert Kechichian
Aram, a former soldier who fought for the Armenian cause, travels to France to finalize an arms transaction while being monitored by secret services. Blamed by his father for the injuries his brother sustained in a terrorist attack, he is also driven by a desire for revenge against the events that have devastated his family and shaped his life.
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Aram Sarkissian, Simon Abkarian, is a young French-Armenian member of AGJSA, an Armenian militant organization, who leaves his family in Paris to fight in the First Nagorno-Karabakh War. In October 1993, Aram returns to France to live a normal life again, but finds his younger brother Lévon, Mathieu Demy, preparing the assassination of Azbalan Djelik, a general of the Turkish Army visiting France. Aram opposes the assassination, claiming the Armenian struggle lies in Nagorno-Karabakh, however, Lévon considers Aram to be a coward, who then reluctantly agrees.
One evening, General Djelik is killed when his car is ambushed by three masked gunmen, who kill three passengers. The survivor, Djelik’s aide-de-camp Colonel Talaat Sonlez, shoots Lévon after he pretends to be dead. Talaat survives again, and searches for the assassins by asking Monsieur Paul, a French counter-terrorism policeman monitoring the activities of AGJSA, who does not reveal their identities.
By January, 2001, Lévon is paralyzed and reliant on a wheelchair. Their father, Mihran Sarkissian, Alan Motte, is bitter and blames Lévon’s disabilities on Aram, who has not been seen by the family since the attack. Additionally, their younger sister Meline, Lubna Azabal, becomes engaged to Stephan, a French man, which their father approves reluctantly and is frowned upon by his friends. Meanwhile, in Germany, the leader of the AGJSA, Vartan, negotiates an arms deal with Kurdish militants to buy a large shipment of sniper rifles to be used by Armenians in Nagorno-Karabakh. The Kurds are represented by Midzametin, the head of the PKK in Europe, and his right-hand man Djalal, who is vocally against the deal. The Kurds change their deal, offering cheaper guns in exchange for support in assassinating Turkish diplomats if the Turkish Army launches a new offensive against the PKK, which Vartan accepts. Aram arrives back in France through Calais after returning from hiding in Karabakh, where he is photographed by Virgil, an agent of Paul. Aram reveals his reservations over Vartan’s promises to the Kurds supporting assassinations of Turkish diplomats, believing they are ineffective and undesirable for the Armenian cause. En route to the weapons exchange Talaat and Djalal, who is working for the Turks, ambush the Kurds, and later shoot at the Armenians waiting the meeting point on a beach at night. Aram is wounded but kills Djalal without realizing his identity before escaping. Unaware of Djalal’s betrayal, Aram first suspects Kervedjian, a diplomat of the Nagorno-Karabakh Republic in Paris, who he abducts and interrogates. Paul, knowing of Talaat’s involvement, visits him at a Turkish bath and reminds him he was told in 1993 not to come back to France. Talaat states he is an attaché of the Turkish government as part of an official diplomatic mission, but Paul reveals his knowledge that Talaat is a member of the Black Wolves and is involved in the Turkish Mafia. Aram seeks the help of his friend, Fodil Boushaour, who provides him with handguns, a car, a fake driver’s license, and backup from his friends, Saad and Mamad. In Paris, Mihran and Meline argue over Aram, with Mihran expressing his bitterness towards him, while Meline shows her sympathy. Kervedjian informs Aram of Djalal’s betrayal and cooperation with the Turkish government, and that there is a new deal with the Kurds to deliver weapons. Aram is assigned to task of killing the Turks involved in the betrayal and to escort the new weapons to Karabakh. Aram tracks down Talaat and kills several of his men and Talaat’s girlfriend, but fails to kill him and his aide Mehmet - furious, Talaat instructs Mehmet to find Aram and kill him. Meline invites Aram to her wedding in an attempt to reconcile with their father, while Kervedjian provides Aram details to collect the Kurdish weapons at the port in Dunkirk, and to escort the weapons to Karabakh via Athens.
Talaat meets with Paul and Virgil, offering information terrorist networks in exchange for the identity of the person trying to kill him. Paul declines the offer, but later Mehmet and his gang abduct Virgil. Aram visits his family in Paris where his father asks him to leave, striking him with his cane, and Aram leaves without explaining his side of the story. Upon leaving, Aram is chased by Paul and another agent who have been tracking him to positively identify him, as Aram was officially killed in action in Karabakh, but he manages to escape. At the counter-terrorism office, Paul receives a package from Talaat containing an amputated finger of Virgil, and he calls the Turkish embassy revealing the identities of Aram and his associates. Paul speaks privately with Fodil, who claims that the last he heard from Aram was 7 years ago, and that he is buried in Shahumian in Karabakh. Despite this, Paul informs Fodil that Talaat now knows about Aram’s identity and is hunting him. Fodil warns Aram, who is riding with Saad and Mamad on the way to the party after Meline and Stephan’s marriage. Talaat and Mehmet appear at the party, and the two ambush Mihran and Lévon in the restroom, but Aram shoots Talaat and Mehmet. Aram rushes to Dunkirk to leave France to avoid murder charges, but cars of the secret police with Paul and Mihran pull up. Aram and his father say goodbye without words, quietly redeeming his son. Instead of arresting Aram, Paul asks him to leave and to never return to France.
Last Updated: October 09, 2025 at 15:23
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Protagonists caught between a violent past and a precarious future in a foreign land.If you liked Aram, explore more movies like it where protagonists from conflicted homelands navigate dangerous missions and personal vendettas in foreign settings. These similar political thrillers and crime dramas feature tense espionage, themes of identity, and the heavy weight of carrying trauma across borders.
The narrative follows a protagonist forced to operate in a foreign country, using their skills from a past life to complete a dangerous mission. Their outsider status increases the risk and paranoia, as they are often hunted by both local authorities and enemies from their homeland. The story is a tightrope walk between achieving their goal and navigating the complex social and political landscape of their host country.
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Stories where the pursuit of vengeance perpetuates a chain of suffering within families.Find movies with a similar bleak tone to Aram, where the heavy emotional weight of family trauma drives a violent and morally complex narrative. These stories explore the devastating consequences of revenge and how violence becomes an inescapable cycle, leaving characters with bittersweet or tragic resolutions.
The narrative is driven by a central trauma that haunts a family or individual, compelling them toward a path of vengeance. This journey is not glamorous but is portrayed as a grim necessity that exacts a heavy personal cost. The story structure often reveals how the initial act of violence is part of a larger, ongoing conflict, and the protagonist's actions may provide a form of resolution but rarely true peace, ending on a note of profound loss.
These films are grouped by their uncompromising exploration of violence as a destructive cycle that consumes individuals and families. They share a dark tone, high emotional stakes, and a focus on the bittersweet or bleak aftermath of revenge, prioritizing the emotional truth of trauma over cathartic action.
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