All This, and Heaven Too

In the glittering yet precarious world of mid‑nineteenth‑century Paris, a fragile peace holds together the opulent courts of King Louis‑Philippe. Within this gilded setting, Henriette Deluzy‑Desportes arrives from a modest background, summoned to the household of the powerful Duc de Praslin as governess to his four children. The elegance of the Praslin mansion is matched only by the undercurrents of ambition and restraint that swirl through its salons, creating a stage where reputation is both currency and burden.

The Duchesse de Praslin immediately views the newcomer with suspicion, her moods shifting between cold distance and sharp resentment. While duty binds the couple together for the sake of their offspring, their marriage feels more like a negotiated truce than a partnership, leaving ample space for whispered doubts and private yearning. As Henriette settles into her role, her quiet competence and genuine affection for the children begin to illuminate the household, subtly shifting the balance of affection and allegiance.

Against a backdrop of aristocratic etiquette and the looming uncertainty of a waning monarchy, the film cultivates a tone of restrained tension, where every smile may conceal a motive and every glance hints at unspoken longing. The era’s sumptuous costumes and meticulously crafted interiors amplify the sense of an almost theatrical world, while the delicate interplay between Henriette, the Duc, and the Duchesse promises a narrative driven as much by internal desires as by the grand social forces that shape their lives. The story invites the audience to linger in this elegant yet volatile realm, feeling the weight of expectations and the fragile hope of a woman striving to define herself amidst whispers and watchful eyes.

Last Updated: December 05, 2025 at 10:05