A Yank at Oxford

A Yank at Oxford

Year: 1938

Runtime: 102 mins

Language: English

Director: Jack Conway

DramaRomance

A brash young American aristocrat enrolls at Oxford, where his boisterous, two‑fisted ways clash with the stiff upper‑class atmosphere. Determined to earn respect, he strives to prove himself and capture the affection of the sister of his chief rival.

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A Yank at Oxford (1938) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of A Yank at Oxford (1938), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

In 1937, a cocky American athlete, Lee Sheridan [Robert Taylor], wins a scholarship to Cardinal College, Oxford. Initially reluctant because his father, Dan [Lionel Barrymore], has limited income, he still journeys across the Atlantic to prove himself. On the train to Oxford, he boasts about his athletic triumphs to Paul Beaumont [Griffith Jones], Wavertree [Robert Coote], and Ramsey [Peter Croft], and the trio decide to teach him a lesson by getting him off at the wrong stop. Lee eventually makes it to Oxford, where the students stage another ruse—this time a grand reception—that he sees through. He chases after the impersonator pretending to be the Dean and, in a brief confrontation, ends up shoving the real Dean of Cardinal [Edmund Gwenn], before retreating. This misstep kicks off a tense, uneasy relationship with the Dean and the college authorities.

Lee contemplates leaving, but is encouraged to stay by Scatters [Edward Rigby], his scout. He soon meets Elsa Craddock [Vivien Leigh], a married woman who “helps” the new students, and begins a complex relationship with Molly Beaumont [Maureen O’Sullivan], Paul’s sister. Determined to prove himself, Lee earns a place on the track team, even outpacing rivals while wearing a tweed suit, cap, and gown. Just as he starts to fit in, he refuses to rest during a crucial track meet against Cambridge and pushes Paul’s stand-in out of the way in his zeal to win, silencing the astonished crowd.

That night, the new cardinal hazing—funeral march music and debagging—unfolds, and Scatters explains the tradition: the win isn’t celebrated as a true victory. Lee later confronts Paul in a pub (out of bounds to students) and finds him with Elsa. A fight erupts, but Wavertree warns them that the Oxford police, the “Bullers,” are coming. Lee and Paul bolt, and Lee ends up punching the Buller himself. Paul is summoned before the Dean, fined for hitting the Buller and for associating with Elsa, and, when he reveals that Lee was the instigator, Lee is content to let Paul take the blame. Despite this, Lee soon becomes part of Paul’s circle again, and months pass.

Molly begins dating Lee, while Paul quietly sees Elsa again. Lee joins the Oxford University Boat Club and is chosen as Cardinal’s stroke for the bumps race. After the race, he tries to mend fences with Paul, but Paul rebuffs him. Elsa’s wild flirting resumes, and she begins a seduction with another student, only for her husband to intervene. Elsa then seeks Paul, with Craddock pursuing; Lee hides Elsa in his room, and when the Dean learns of the affair, he expels Lee from Oxford. A crowd escorts Lee to the train station, where Dan has just arrived, unaware of Lee’s expulsion or the letters that claimed otherwise about his relationship with Elsa. Dan arranges a reunion with Molly, and they plot to get Lee back into the college. Dan convinces Elsa to speak with the Dean, and after flirting with him and claiming Lee hid her from Wavertree, Lee is allowed back. Wavertree realizes his own scheme to be expelled and faces only a minor punishment. Paul renews his friendship with Lee, and Oxford wins The Boat Race, though Paul faints from the exertion. The Craddocks move to Aldershot, near the Officers Club, closing the chapter on this high-spirited, turbulent chapter of Oxford life.

Last Updated: October 07, 2025 at 08:36

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The narrative pattern follows a charismatic but flawed protagonist entering a competitive world. Initial clashes and rivalry, often fueled by pride or a cultural divide, create the central conflict. A low point—such as a public failure or a humbling mistake—forces introspection and training. The climax typically involves a final competition or challenge where the protagonist's newfound maturity and skill lead to victory or, more importantly, the genuine respect of their peers and rivals, resulting in a satisfying, happy resolution.

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The journey begins with the protagonist's arrival in a new setting, highlighting the stark contrast between their personality and the environment. A series of misadventures and social faux pas create both humor and tension, often involving a romantic interest and a stern authority figure or rival. A pivotal mistake forces a moment of reckoning and humility. The resolution comes not from the protagonist abandoning their identity, but from refining it—earning acceptance on their own terms and achieving a sense of belonging.

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These films are connected by the universal theme of adapting to a new world. They share a light tone, a steady pacing that follows the protagonist's incremental integration, and a focus on youthful energy and personal transformation. The emotional weight is typically light, centering on the hopeful and triumphant feeling of finally finding one's place.

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