A Private Matter

In the early 1960s, a sun‑baked Arizona suburb hums with the optimism of post‑war America, yet beneath the bright façade lies a nation still wrestling with deeply held beliefs about family, medicine, and personal autonomy. Television sets flicker in living rooms, and children’s programming becomes a comforting ritual for households across the state, offering a glimpse of innocence amid the era’s undercurrents of social change.

Sherri Finkbine is the warm‑hearted host of a beloved children’s show, a mother of four who balances the demands of live television with the everyday joys and challenges of family life. Her husband, Bob, teaches high school history, and together they navigate the ordinary rhythms of a suburban marriage while anticipating the arrival of a fifth child. When a common pregnancy remedy of the time reveals a hidden danger, the couple finds themselves at the crossroads of personal health and emerging medical controversy.

The revelation that their unborn child could be severely affected thrusts the family into a legal and moral dilemma that was, at the time, largely unspoken in public discourse. Arizona’s restrictive abortion statutes leave little room for nuance, and the couple’s private yearning for a safe medical option collides with a society that guards its moral codes fiercely. As word begins to spread, the intimate decision that once belonged solely to the family starts to echo through newspapers, hospitals, and the quiet streets where they live.

The film captures the nervous tension of a household caught in a quiet storm, blending the domestic warmth of a close‑knit family with the cold glare of a media landscape eager for a story. Its tone is both wistful and urgent, inviting viewers to feel the weight of personal choice against the backdrop of a nation on the brink of cultural transformation, while leaving the outcome of the Finkbines’ struggle tantalizingly unresolved.

Last Updated: November 29, 2025 at 04:42