A New Old Play

In a mist‑shrouded realm where ancient rites mingle with the echo of theatrical applause, the film opens on the sudden passing of a beloved performer. The afterlife is presented as a bustling “Ghost City,” a place where the living‑world’s art forms haunt the streets and every corner hums with a faint, lingering melody. Its tone balances wistful melancholy with the vibrant flamboyance of Sichuan opera, inviting viewers into a world where the line between performance and existence feels exquisitely thin.

At the heart of this journey is Qiu Fu, a celebrated clown of the Sichuan opera whose larger‑than‑life stage persona masks a deep, reflective soul. Though his fame spans decades, his sudden death finds him unready to surrender the spotlight to the inevitable. He carries with him a lifetime of gestures, lyrics, and memories that feel as tangible as the costumes he once wore, making his reluctance both poignant and oddly humorous.

Guiding him through the netherworld are two enigmatic underworld escorts, the skeletal duo Ox‑Head and Horse‑Face, whose presence is as much a study in paradox as it is a practical necessity. Their solemn duty contrasts with the flamboyance of Qiu Fu, creating a dynamic that oscillates between reverent ceremony and playful banter. As they traverse the ghostly avenues, the trio encounters figures from the clown’s past—fellow performers, mentors, and companions—each encounter sparking fragmented recollections that flicker like lanterns in a dark hallway.

Through these fleeting reunions, the film weaves a tapestry of shared history, suggesting that art and friendship possess an endurance that outlives even death. The atmosphere remains richly textured, blending the austere rituals of the afterlife with the exuberant cadence of opera, leaving the audience to wonder how memory and performance will shape the journey ahead.

Last Updated: September 05, 2025 at 18:13