Year: 1966
Runtime: 99 mins
Language: English
Director: Leo Penn
Adam, a celebrated jazz trumpeter known for his magnetic stage presence and wild, hedonistic lifestyle, finds the pressures of everyday life overwhelming. As he juggles love, fame and inner demons, his once‑effortless swing gives way to struggle and self‑reflection.
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Adam Johnson is a talented African-American jazz cornetist whose life is shadowed by ill health, racism, alcoholism, and a short temper, as well as guilt over the deaths years before of his wife and child. His best friend Nelson Davis and Vincent, a younger White trumpeter whom he mentors, care about him.
One night, he arrives at his New York home drunk after leaving his jazz quintet and finds civil-rights activist Claudia Ferguson and her grandfather Willie Ferguson, a famed jazz trumpeter, waiting in his apartment. Adam is rude to them and makes a vulgar pass at Claudia.
The next day, sober and remorseful, he apologizes and starts to form a wary friendship with Claudia and Willie. Soon he becomes romantically involved with Claudia, though Nelson warns that Adam risks hurting her. Claudia, determined not to let him destroy himself, tries to help him reform.
That relationship brings a measure of stability, and Adam begins to change for the better—though his temper remains a constant threat, and he finds himself clashing with police and ending up under arrest. Claudia is upset by his willingness to provoke authorities, while Adam cannot fathom why he should submit to humiliation.
Booking agent Manny wants to send Adam on a tour of the South, but warns of possible adverse treatment there. Adam’s anger flares again when he violently lashes out at a jealous former girlfriend who had just slapped Claudia.
Despite the turmoil, Claudia moves into his apartment to support him, and the two renew their bond. She helps him confront the truth of the accident that killed his family, admitting that his guilt and self-destructive behavior were partly connected to that night.
Adam agrees to reunite with his old group, but the club owner faces pressure from the venue to ban him. The conflict pushes him toward a breaking point.
Manny sends him on the South tour; during a performance, an awkward moment when he embraces Vincent triggers a hostile reaction from the audience. The tour goes on, but the strain continues to mount as Adam fights to control himself. When they return home, he proposes marriage to Claudia.
Backstage, Vincent is attacked in front of Claudia and Adam, who remain frozen as the assault unfolds. Claudia later reflects that she changed Adam and, in her view, stripped him of his former manhood. Adam reappears onstage but is weakened and pained, delivering a brilliant yet feverish trumpet performance before collapsing and dying.
Last Updated: October 09, 2025 at 09:26
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Stories of brilliant creators consumed by their inner demons and vices.If you were captivated by the tragic story of Adam, explore more movies like A Man Called Adam that portray the downfall of brilliant artists. These similar music and drama films feature gifted creators battling addiction, ego, and despair in a heavy, melancholic tone.
The narrative follows a linear descent, charting how a character's personal flaws—addiction, toxic relationships, unchecked ego—systematically dismantle their career and connections. The journey is less about redemption and more about an unavoidable collapse, often culminating in a tragic, emotionally resonant ending.
These films are grouped by their shared focus on the 'tortured artist' archetype, a heavy emotional weight, and a melancholic tone. They explore similar themes of artistry under pressure, the cost of genius, and the grim realities that accompany fame.
Intense personal stories set against the grim realities of systemic racism.For viewers who appreciated the tense atmosphere of A Man Called Adam, this list features similar movies with a steady pace and high intensity. These dramas combine heavy themes of racism and prejudice with personal stories of struggle, perfect for fans of melanchodic, historically-grounded films.
The plot intertwines a protagonist's personal flaws and relationships with the escalating tensions of a prejudiced society. Crises are both internal (guilt, addiction) and external (violence, discrimination), creating a layered conflict where the character is besieged on all fronts, leading to a somber conclusion.
Movies here share a specific mood: a tense, gritty, and melancholic feel generated by the combination of heavy social themes and a character's personal downfall. The steady pacing and high intensity create a consistently pressurized viewing experience.
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