A Home of Our Own

In the restless haze of 1960s Los Angeles, a widowed mother faces the crushing weight of poverty after losing the only job that kept her family afloat. Frances Lacey—spirited, stubborn, and fiercely protective of her six children—decides that the city’s endless grind cannot offer the stability her brood needs. With a battered car, a handful of belongings, and a fierce determination to carve out a better future, she gathers the family and heads north, hoping the open country will provide the fresh start they crave.

The journey brings them to the remote town of Hankston, Idaho, where the landscape opens into wide, snow‑capped horizons and an unfinished wooden frame stands alone across from a modest nursery. Here the family meets the land’s caretaker, Mr. Munimura, who offers a simple, hard‑won bargain: labor for shelter. The promise of a home to call their own gleams through the cold air, and the Lacey clan—now a makeshift “tribe”—sets to work, turning raw timber and raw hope into something tangible.

Within the rough‑hewn walls, each child finds a role that reflects their personality. Shayne, the eldest son, balances a budding sense of responsibility with teenage yearning, while Murray, the middle boy, learns the value of hands‑on effort. The younger daughters—Annie and Lynn—bring warmth and small gestures of love that keep the family’s spirit from freezing over. As days turn into weeks, the house slowly fills with the sounds of hammering, laughter, and the tentative rhythm of a new life taking shape.

The film settles into a quiet, earnest tone that blends the grit of a struggling working class with the gentle optimism of a family determined to rebuild. It paints a portrait of resilience where the simple act of constructing a home becomes a metaphor for forging connections, confronting uncertainty, and finding a place where hope can finally settle.

Last Updated: November 25, 2025 at 15:24