A Dozen Summers

In an ordinary suburb of the 21st‑century, two twelve‑year‑old sisters find themselves suddenly in charge of the story they’re living. When they inadvertently frighten away the unseen Narrator of a children’s adventure film, the girls seize the chance to rewrite the on‑screen tale with the raw material of their own lives. The result is a playful, self‑conscious adventure that blurs the line between reality and cinematic fantasy, inviting the audience to wonder how much of childhood is scripted and how much is improvised.

The sisters’ world is shaped as much by their quirks as by the adults around them. Their mother, Jacqueline, juggles a struggling modeling career with an unconventional approach to parenting, while their father, Henry, a devoted writer, sacrifices more than the girls realize to keep the household steady. At school, the girls navigate the usual trials of friendships, first crushes—Matty Archer for one and the secret admiration of Samuel for the other—and a trio of relentless bullies. Their daily interactions are sprinkled with the hyper‑real glow of were‑wolves and vampires, a nod to the movies they love and the imaginative lens through which they view their surroundings.

The film’s tone is both wistful and witty, a breezy yet incisive look at growing up in an age where media saturates every moment. By turning the act of storytelling into a literal sandbox, the narrative captures the frantic energy of adolescence while hinting at deeper questions about agency, family, and the ever‑present pull of the stories we tell ourselves. The sisters’ quest to keep the hijacked narrative from snapping back creates a lively, ticking sense of urgency—one that mirrors the restless pace of their own transition toward adulthood.