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I’ll Be Going Now (1991) movie poster

Timeline

I’ll Be Going Now (1991) Timeline Explained – Every Event in Order

Release, runtime and language
1991 · 93 mins · Italian
Directed by
Dino Risi
Starring
Elliott Gould, Dominique Sanda, Vittorio Gassman, Firmine Richard, Monica Scattini, Gianni Franco

Augusto Scrivani, once a bank manager, has spent 18 years in a psychiatric institution. Upon release, he goes back to his family, confronting his estranged daughter‑in‑law Carla and the changes in his household. Directed by Dino Risi, the film features a melancholy performance by Vittorio Gassman, whose portrayal is raw and emotionally strained.

On this page (5)
  1. 1 Events in order (12)
  2. 2 Timeline questions answered
  3. 3 Movie threads
  4. 4 Movies like I’ll Be Going Now
  5. 5 Every angle

12 events in order · contains spoilers

I’ll Be Going Now Timeline: Events in Chronological Order

Every key event of I’ll Be Going Now (1991) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. Augusto returns to his Rome home after 18 years in a psychiatric clinic

    After 18 years in a psychiatric clinic, Augusto returns to his home in Rome under the care of his daughter-in-law Carla. He meets the household that now includes Carla's lover Giorgio, his 12-year-old daughter, and Rosa, Augusto's granddaughter who has grown up without him. The reunion is tense but full of potential as old shadows collide with new family dynamics.

    When
    present
    Where
    Rome
  2. Former secretary exploits Augusto and drives him to her flat

    While paying some household bills, Augusto is recognized by his former secretary who pretends to help. She drives him to her flat, cooks him lunch, and then makes a pass at him. Augusto flees to escape a compromising situation.

    When
    shortly after his return
    Where
    Secretary's flat
  3. Drinks party at Augusto's house ends in embarrassment

    Giorgio and Carla host a drinks party for business associates while Augusto wanders in looking for a magazine. He insults a client, who storms out in disgust, souring the evening. The disruptive mood foreshadows the fragile balance of the household.

    When
    during the party
    Where
    Augusto's house
  4. TV show invitation from the visiting psychiatrist

    A psychiatrist who hosts a TV show invites Augusto to appear on the program. The invitation signals a potential public spotlight for him, tense with his uneven adjustment. The prospect unsettles Carla and Giorgio as well.

    When
    shortly after invitation
    Where
    TV studio
  5. Bar pre-show disruption with Alcide

    In the bar before the show airs, Augusto meets Alcide, his old clinic roommate who now lives with a prostitute on a farmhouse outside the city. The two disrupt the program, causing chaos and a hastily pulled episode. Carla and Giorgio, watching at home, are further alarmed by his behavior.

    When
    before the air
    Where
    Bar
  6. Carnival night and Rosa's school party

    During carnival time, Rosa's school hosts a fancy-dress party, and Augusto goes to bring her home. They navigate crowded streets and the watchful eyes of the city as he protects her. The outing marks the deepening bond between the grandfather and Rosa.

    When
    carnival time
    Where
    City streets / school vicinity
  7. Encounter with a homeless man and Rosa's sleep

    On the way, they encounter a homeless man and invite him into a bar for conversation and warmth. After a glass of red wine, Rosa falls asleep and Augusto carries her home. Carla confronts him, threatening committal to a distant institution if he oversteps.

    When
    that night
    Where
    Bar and street
  8. Augusto flees to Alcide's farmhouse

    To escape the threat of commitment and confinement, Augusto runs away to Alcide's farmhouse, leaving his address with Rosa. The pair seek refuge where they can exist outside the ordinary rules of society. The bond between grandfather and granddaughter hardens while they hide.

    When
    days after
    Where
    Alcide's farmhouse
  9. Rosa joins him; police search and return home

    After a few days, Rosa joins Augusto at the farmhouse to avoid boarding school. A police search for the missing pair ensues, and they are eventually traced and brought back home. The family resumes a fragile balance, but the threat of separation lingers.

    When
    a few days later
    Where
    Alcide's farmhouse
  10. Rosa sent to boarding school; Augusto takes a room

    Rosa is sent off to a distant boarding school, while Augusto finds a room of his own in the city. The separation marks a new, solitary phase for him as he adjusts to life without the daily contact of Rosa. He remains a quiet observer of the family from a renewed, distant place.

    When
    immediately after return
    Where
    Boarding school / city room
  11. Months later, Augusto visits Rosa

    Some months later, Augusto visits Rosa and sees that her love for him remains, though her affections have begun to shift toward a handsome young cousin. He realises she must grow into her own life and that his own life must change accordingly. The visit underscores the bittersweet distance between them.

    When
    months later
    Where
    Rosa's life
  12. Augusto accepts a solitary life

    As Rosa continues her life beyond the grandfather's doorstep, Augusto understands that he must remain on his own. He accepts the quiet solitude of his new room and the evolving, independent future for his granddaughter. The story closes on a note of tempered hope and separation.

    When
    end
    Where
    Rome

Last updated: December 03, 2025 at 23:58

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Timeline questions answered

I’ll Be Going Now Timeline Explained: Your Questions Answered

When does it happen, and why in that order? The questions people ask about the chronology of I’ll Be Going Now (1991): time jumps, flashbacks, cause and effect between scenes and the correct order of events, each answered with spoilers.

Q1

Why did Carla threaten to send Augusto back to the psychiatric institution?

Carla threatened recommittal after Augusto brought Rosa home drunk and fell asleep himself. This incident triggered her existing fears about Augusto's mental stability and his ability to care for a child. She had been tolerating his presence reluctantly and saw this as justification for removing him from the household entirely. The threat represented the underlying tension between her sense of responsibility and her desire to be free of the burden.

  • carla
  • augusto
  • recommitment
  • threat
  • rosa
Q2

Why did Augusto flee to Alcide's farmhouse?

Augusto fled after Carla threatened to have him recommitted to a distant psychiatric institution. Fearing a return to the confinement he had endured for eighteen years, he chose escape over captivity. He went to the only person he knew would help him, his former roommate Alcide, who lived outside society's rules with a prostitute on a farmhouse.

Foreshadowing: The threat of recommittal had been hanging over Augusto since Carla hosted the drinks party.

  • augusto
  • flee
  • farmhouse
  • alcide
  • recommitment
Q3

Why did Rosa run away to join her grandfather at the farmhouse?

Rosa was threatened with being sent to boarding school and dreaded separation from the grandfather she had grown to love. The bond they formed during carnival night and earlier encounters made her choose to flee with him rather than accept institutional control over her life. Her choice reflected both her defiance and her deep emotional need for the connection she finally had with Augusto.

Foreshadowing: The carnival night had strengthened their bond significantly, making the threat of separation unbearable for Rosa.

  • rosa
  • augusto
  • farmhouse
  • boarding school
  • runaway
Q4

Why did Augusto insult Giorgio's client at the drinks party?

Augusto wandered into the party looking for a magazine and felt deeply out of place among Giorgio's business associates. His social discomfort, combined with years of institutionalization, led him to make a blunt, insulting remark that drove the client away. The moment demonstrated his inability to navigate the polite world Carla and Giorgio inhabited.

  • augusto
  • insult
  • client
  • giorgio
  • party
Q5

What caused the TV show disruption with Alcide?

Augusto encountered his old clinic roommate Alcide in the bar before the show aired. The two men, both outsiders to normal society, acted impulsively and crudely, disrupting the broadcast. Their chaotic intervention was pulled from the air, causing embarrassment for Carla and Giorgio who were watching at home.

Foreshadowing: The invitation from the psychiatrist had already placed Augusto in an uncertain, exposed position.

  • tv show
  • alcide
  • disruption
  • broadcast
Q6

Why did Augusto leave his former secretary's flat so abruptly?

Augusto's former secretary recognized him while he paid household bills and offered to drive him home. Instead, she took him to her flat, cooked lunch, and then made romantic advances toward him. Uncomfortable with the situation, Augusto fled to escape what felt like an exploitation of his vulnerable state.

  • augusto
  • secretary
  • flat
  • fled
  • advances
Q7

Why was Rosa sent to boarding school after the police found them?

Following their disappearance and return, the family decided Rosa needed structured, controlled environment away from Augusto's influence. Carla and Giorgio viewed the grandfather's presence as destabilizing and believed boarding school would provide proper discipline. The separation was the family's solution to prevent any further runaway episodes.

Foreshadowing: Carla had already threatened boarding school as a way to control Rosa's behavior.

  • rosa
  • boarding school
  • police
  • separation
Q8

Why did Augusto accept living alone at the end of the film?

Augusto realized his beloved granddaughter was growing up and developing her own life, including romantic feelings for a cousin. He understood that his role in her life was temporary and that she needed space to mature independently. Rather than resist the natural progression of things, he accepted his own solitude as the necessary price for her freedom.

Foreshadowing: Rosa's affection had already begun shifting toward her handsome young cousin during Augusto's visit.

  • augusto
  • solitude
  • acceptance
  • growth
  • rose
Q9

Why did Carla agree to let Augusto stay at her house after his release?

As Augusto's daughter-in-law and the current owner of his former home, Carla felt a moral obligation to care for him after his eighteen-year institutionalization. The house technically belonged to Augusto, giving him legal right to return. However, her willingness was strained from the start, as evidenced by her quick anger and threats of recommittal.

  • carla
  • augusto
  • house
  • obligation
  • stay
Q10

Why did Augusto connect so quickly with Rosa?

Rosa was the granddaughter Augusto had never truly met, she had grown up during his eighteen years in the clinic. Their connection was immediate because they shared a deep need: Rosa craved genuine attention from an adult who wasn't busy with adult concerns, and Augusto desperately needed someone who accepted him without judgment. They found healing in each other's company.

Foreshadowing: The summary explicitly notes Augusto quickly forms a quiet, healing bond with Rosa.

  • augusto
  • rosa
  • grandfather
  • granddaughter
  • bond
Q11

Why did the police launch a search for Augusto and Rosa?

When a confused elderly man and a young child disappeared together without explanation, authorities treated it as a potential crisis. The family reported them missing, and standard protocol required a search. They were eventually traced to Alcide's farmhouse, a location outside normal social networks, which explained why they couldn't be found quickly.

Foreshadowing: Augusto had fled specifically to escape the threat of institutionalization.

  • police
  • search
  • missing
  • farmhouse
Q12

Why was the carnival night with Rosa important to the story?

The carnival night represented the peak of Augusto and Rosa's relationship, they wandered the city together, helped a homeless man, and shared an intimate evening. It was also the catalyst for everything that followed: Rosa falling asleep drunk gave Carla the justification she needed to threaten recommittal, which directly caused Augusto's flight. The happy memory became the foundation of their forced separation.

  • carnival
  • rosa
  • night
  • homeless
  • sleep

Movie threads

More Movies Like I’ll Be Going Now, by Mood & Story

Curated lists built around what makes I’ll Be Going Now tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Movies about gentle reintegration like I’ll Be Going Now

Quiet stories of fragile characters rebuilding their lives after profound personal disruption. If you liked the gentle, melancholic journey in I’ll Be Going Now, explore movies about characters reintegrating after trauma. These films share a quiet, observational tone, focusing on the slow process of rebuilding connections and finding a new place in the world after a life-altering event.

  • melancholic
  • reflective
  • lonely
  • quiet
  • somber
  • gentle
  • Tone: melancholic, reflective, bittersweet
  • Pacing: slow, character-driven
Why these movies?

The story pattern: Stories in this thread typically follow a character emerging from a period of isolation, incarceration, or illness. The central conflict is internal and social, revolving around navigating a changed world and reconnecting with estranged loved ones, often through small, everyday moments rather than grand dramatic events.

Why they belong together: Movies are grouped here for their shared focus on the emotional journey of starting over. They resonate through their melancholic tone, slow pacing, and emphasis on character-driven stories about loneliness, acceptance, and the bittersweet nature of healing.

Movies with bittersweet family bonds like I’ll Be Going Now

Tender yet heartbreaking stories of temporary bonds formed across generations. Fans of the grandfather-granddaughter relationship in I’ll Be Going Now will appreciate these films. Discover similar movies about fragile, intergenerational bonds that offer moments of profound connection against a backdrop of loneliness and the inevitability of change.

  • bittersweet
  • gentle
  • lonely
  • reflective
  • heartfelt
  • somber
  • Tone: bittersweet, gentle, melancholic
  • Pacing: slow, contemplative
Why these movies?

The story pattern: The narrative pattern involves an unlikely, meaningful connection forming between an elderly figure and a younger person, often within a fractured family. This bond provides solace and understanding for both, but the story ultimately acknowledges the transitory nature of the connection, ending on a note of quiet acceptance rather than permanent resolution.

Why they belong together: These films are united by their exploration of the unique solace found in cross-generational relationships. They share a bittersweet emotional core, a gentle pacing, and a focus on the beauty and sadness inherent in temporary connections that shape us profoundly.

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Every angle

I’ll Be Going Now (1991) Explained: Plot, Timeline & Characters

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