4 Months, 3 Weeks and 2 Days

In the gray shadows of 1980s Romania, a country still tightening the grip of its authoritarian regime, everyday life is a study in restraint and whispered desperation. The austere dormitories of a university town become a quiet stage where ordinary ambitions clash with the stark realities of a society where personal choices are monitored, and the law leaves little room for compassion. The film’s atmosphere is oppressive yet intimate, captured through muted palettes and a lingering, almost clinical stillness that mirrors the characters’ constrained world.

Gabita and Otilia are two university students bound by a deep friendship forged in shared rooms and late‑night conversations. Their bond is both a source of comfort and a fragile lifeline as they navigate the pressures of academic life, familial expectations, and the looming presence of state control. When Gabita discovers she is pregnant, the news ripples through their cramped living space, illuminating the limited avenues available to women and the silent terror that hangs over every decision.

The narrative hovers on the edge of their everyday routine, allowing the audience to feel the weight of their quiet anxieties. With a tone that blends stark realism and subtle, unspoken dread, the story presents a world where ordinary institutions—schools, dormitories, street markets—are tinged with an undercurrent of illegality and moral ambiguity. The characters’ ordinary gestures—sharing a cigarette, borrowing a few pesos, arranging a private meeting—become charged with significance, hinting at the lengths they might go to protect each other.

As the pair confront an increasingly fraught predicament, the film invites viewers to contemplate the fragile balance between personal agency and societal oppression. The friendship becomes a silent promise, a small rebellion against a system that leaves them with few options, and the slow, meticulous pacing keeps the tension palpable without ever revealing the exact path they will walk.

Last Updated: August 10, 2025 at 09:23