Year: 1941
Runtime: 95 mins
Language: English
Director: Fritz Lang
A 20th‑Century‑Fox Encore Hit, the film follows Edward Creighton as he oversees the building of the Western Union telegraph line that will link the East and West. To accomplish this, he enlists a reformed Western outlaw and a naïve Eastern surveyor, whose partnership drives the adventure. The movie was preserved by the Academy Film Archive in cooperation with Twentieth Century Fox Film Corporation in 2000.
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In 1861, while surveying a telegraph line, Edward Creighton is seriously injured and saved from starvation by the quick thinking of an outlaw on the run, Vance Shaw. Shaw, forced to travel on foot after his horse is injured, initially considers stealing Creighton’s horse but ultimately chooses to help the man survive, setting the stage for a fragile, uneasy alliance.
Creighton returns to Omaha, Nebraska, and begins planning a bold project: a telegraph line from Omaha to Salt Lake City. He faces fierce opposition—from Confederate sympathizers, resistant Indigenous groups, and other lawless elements—yet he persists with the support of his sister, Sue Creighton; foreman Pat Grogan; and his capable assistant, Homer Kettle. Shaw, bowing to a desire for redemption, arrives at the Western Union office seeking honest work and is taken on as a scout by Grogan, even though Creighton recognizes his shadowy past. Creighton also hires a young, Harvard-educated engineer, Richard Blake, as a favor to Blake’s father. Shaw and Blake both find themselves drawn to Sue, sparring for her attention as the chantier begins, with work slated to start on July 4, 1861.
As the line goes up, tragedy interrupts progress: one man is killed amid suspicions of a hidden band of cattle-rustling Indians. Shaw investigates and traces the trail to the camp of his old associate, Jack Slade, whose gang had orchestrated the slaughter by disguising themselves as Indians—the same gang Shaw once rode with. Slade reveals a larger motive: they’re in league with the Confederacy to disrupt Western Union, believing the telegraph will aid the Union’s cause. Shaw rides back to the site with this dangerous truth, and, sensing trouble, urges Creighton to quietly replace the herd rather than risk a full-blown confrontation.
The project meets a sharper test when a drunken Indian attack targets the forward camp. A tense confrontation erupts when [Richard Blake] shoots an Indian against Shaw’s warning, and word arrives that Slade’s men have struck the main camp, again masquerading as Indigenous fighters to steal the Western Union horses. Creighton grows suspicious of Shaw’s involvement, especially after Shaw admits some knowledge of Slade’s gang, but the work pushes forward.
With the U.S. Army arriving to negotiate passage through Indian territory, Creighton, Shaw, and Blake face a delicate persuasion mission with Chief Spotted Horse. Creighton manages to convince the Chief to allow the line through, even though the son of the Chief had been among the wounded during Blake’s earlier shooting, and the line proceeds toward Salt Lake City.
A meeting with Slade draws Shaw into a perilous trap. Shaw is captured and bound by Slade’s men, who threaten to burn the Western Union camp. Shaw escapes his bonds, using embers from the campfire to break free, but returns too late to prevent a devastating blaze. He helps rescue several coworkers, burning his hands in the process—or so he lets everyone believe, keeping the wound as a shield to his past.
Creighton confronts Shaw for answers, and Shaw is ultimately fired, though he doesn’t reveal everything. Instead, he drops a bombshell of truth: Slade is actually his brother. Shaw vows to stop Slade’s gang from sabotaging the telegraph, and rides off to confront him in a nearby town. In a tense showdown at a barber’s shop, Slade shoots Shaw beneath the sheet of a barber’s chair. Shaw fights back, killing several gang members, but dies from his injuries. [Richard Blake] arrives to carry on the fight with Slade, who dies from his wounds.
With Slade defeated and the line finally completed, the workers celebrate their hard-won achievement. Sue mourns Shaw’s absence, but Creighton reassures her that Shaw can hear them now, lending a quiet, hopeful note to the triumph of progress over lawlessness.
Last Updated: October 09, 2025 at 11:05
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Large-scale projects in untamed lands, tested by conflict and secured by sacrifice.If you liked the ambitious scope and high-stakes drama of building the telegraph in Western Union, explore more movies about epic frontier projects. These films combine the thrill of industrial progress with tense survival and often feature sacrifices for the greater good.
The narrative follows a linear, goal-oriented mission to achieve a major technological or societal advancement in a dangerous, untamed environment. The central conflict arises from both natural dangers and human opposition, creating a steady stream of challenges. Character arcs often involve redemption or profound personal sacrifice tied directly to the success of the larger endeavor, culminating in a victory that feels earned but tempered by loss.
These movies are grouped together because they share a specific blend of historical ambition, tense survival against the elements, and the moral weight of progress. They deliver a steady-paced, medium-intensity adventure where the thrill of achievement is intertwined with the grim costs of forging a new world.
A reformed criminal finds purpose in a new cause, facing past demons for a final chance.Fans of Vance Shaw's redemption arc in Western Union will enjoy these stories of reformed outlaws seeking a second chance. Discover movies where a character's past clashes with their newfound purpose, leading to tense confrontations and powerful sacrifices.
The narrativefocuses on a character's internal struggle for redemption, externalized through a high-stakes external conflict. The reformed character is often the most capable person for the job, but their past continually threatens the mission and their new alliances. The story builds towards a climax where the character must fully reject their old self, typically through a definitive act of sacrifice that ensures the safety of others and the success of their cause.
These films are connected by the powerful and specific character arc of redemption set against a gritty, dangerous backdrop. They share a tense tone and medium emotional weight, balancing action with character drama, and typically conclude with a bittersweet feeling where redemption is achieved but proven through loss.
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