Tick Tick Boom

The film opens with Jonathan Larson performing 'Tick, Tick…Boom!' at a workshop theatre, expressing the ticking noise in his head that signifies his impending 30th birthday. He discusses his aspirations, doubts, and the pressure to achieve fame before turning 30, accompanied by friends Roger and Karessa. This scene sets the stage for his personal and creative struggles leading up to his milestone birthday.

Jonathan is working as a waiter at Moondance Diner in SoHo with friends Carolyn and Freddy, while dedicating years to writing his musical 'Superbia.' He shares his ambitions of success and the challenges of creating a new work, reflecting his deep commitment to his craft amidst financial struggles. The scene highlights his aspirations to break into Broadway.

Jonathan hosts a party with friends like Michael, Susan, Carolyn, and Freddy, celebrating his preparation to leave Moondance and pursue Broadway. Susan talks about a potential job in the Berkshires, and Jonathan contemplates leaving his current life behind to chase his dreams, revealing his inner conflict about stability versus ambition.

Jonathan meets with Ira Weitzman to discuss presenting 'Superbia' at Playwrights Horizons. Ira advises him to write a new song and address budget constraints, underscoring the ongoing development struggles of his musical. Jonathan’s interactions reveal his ambition and the difficulties in getting his work recognized.

During a workshop, Jonathan meets his idol, Stephen Sondheim, who offers supportive feedback on 'Superbia,' encouraging him to refine his work. Sondheim’s positive comments inspire Jonathan, and he attempts to invite Sondheim to the show's opening, symbolizing his desire for validation in the theatre world.

Michael offers Jonathan a job in marketing, while Susan invites him to join her in the Berkshires. Jon’s indecision causes tension, leading to an argument with Susan, who eventually breaks up with him as he struggles to choose between stability and his artistic dreams.

Jonathan visits an advertising firm set up by Michael but sabotages his chance, criticizing a commercial concept. This act reflects his rejection of commercial work for art, and a conversation with Michael reveals the difficulties faced by gay men in the industry, highlighting the personal sacrifices involved.

Feeling overwhelmed, Jonathan’s power is cut off, prompting him to find inspiration at a local swimming pool. Underwater, he experiences a burst of creativity, leading to the composition of a new song, symbolizing his resilience and dedication to his art during tough times.

The first workshop of 'Superbia' takes place with Jonathan’s parents, friends, and even Stephen Sondheim attending. The show receives positive feedback, especially from Karessa’s performance of 'Come To Your Senses,' bolstering Jon’s hopes despite concerns about Broadway commercialization.

Rosa informs Jonathan that 'Superbia' is too arty for Broadway, disappointed him as critics praise his work but it remains a tough sell. Around this time, Jon learns that Michael is HIV-positive, deepening his emotional turmoil about friendship and dreams, leading to feelings of regret and loss.

Jonathan makes amends with Michael and reflects on his journey, recalling their childhood friendship. He contemplates his life's sacrifices and celebrates the support he’s received, deepening his resolve to keep pursuing his dream of a successful musical career.

On his birthday, Jonathan receives a message from Sondheim expressing admiration for 'Superbia.' He celebrates at Moondance with friends, rekindles his relationship with Susan, and looks forward to the future, despite the obstacles ahead. The scene encapsulates hope and perseverance in his journey.

The film concludes with notes that Jonathan Larson’s subsequent work, including 'Rent,' became iconic, though he tragically died the night before its preview. Inspirational clips of his real-life achievements and influence emphasize his lasting legacy in musical theatre, inspiring future generations.