They Only Kill Their Masters

In the quiet seaside community of Eden Landing, the rhythm of daily life is broken when a young woman is discovered dead on the shoreline, her loss whispered through the salty air. The town’s lone law‑keeper, Abel Marsh, returns from a brief respite to find himself thrust into a puzzle that stretches far beyond the beach. A single, cryptic photograph and an unusually calm Doberman named Murphy become the first threads of a tangled investigation, hinting that the surface of the tragedy hides deeper currents.

Eden Landing itself is a character—its sun‑kissed cliffs, modest homes, and the ever‑present roar of the Pacific create a backdrop that feels both inviting and ominous. The town’s close‑knit atmosphere means that every resident’s story is interwoven, and the sheriff quickly discovers that the victim’s relationships span a surprising range of loyalties, secrets, and unspoken desires. The mood is steeped in a low‑key noir tone, where shadows linger longer than the daylight and the line between friend and suspect blurs with each new clue.

Amid the investigation, Kate Bingham emerges as a compelling presence. As a nurse newly arrived in town, she possesses a quiet resilience and an intuitive grasp of the case’s emotional undercurrents. Her interactions with Abel are marked by a growing, uneasy alliance that forces both to question their own motives and the trust they can place in one another. Together, they navigate a landscape where personal histories are as murky as the tide‑washed evidence.

The film balances the stark beauty of the coastal setting with an undercurrent of suspense, allowing the audience to feel the pull of unanswered questions. With each step Abel and Kate take, the mystery deepens, promising a journey through hidden passions, concealed motives, and the fragile ties that bind a community together.

Last Updated: December 04, 2025 at 23:02