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Timeline

The Girls (1968) Timeline Explained – Every Event in Order

Release, runtime and language
1968 · 100 mins · Swedish
Directed by
Mai Zetterling
Starring
Stig Engström, Bibi Andersson, Gunnar Björnstrand, Erland Josephson, Harriet Andersson, Gunnel Lindblom

While touring Sweden with a theatrical production of Lysistrata, three women perform for often confused audiences and discover that their own relationships echo the ancient comedy. As the boundary between stage and life blurs, onstage drama, offstage reality, and surreal fantasies intertwine, leading to unexpected confrontations.

On this page (5)
  1. 1 Events in order (14)
  2. 2 Timeline questions answered
  3. 3 Movie threads
  4. 4 Movies like The Girls
  5. 5 Every angle

14 events in order · contains spoilers

The Girls Timeline: Events in Chronological Order

Every key event of The Girls (1968) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. Casting the Lysistrata tour

    Liz, Marianne, and Gunilla are hired to perform in a touring production of Lysistrata. The arrangement promises a demanding schedule and a long road away from home. The film follows the personal costs as each woman faces the challenge of balancing art and family.

  2. Marianne leaves her boyfriend and fears leaving her toddler

    Marianne leaves her married boyfriend and contends with the guilt of the separation. She finds it difficult to leave her toddler in the care of babysitters while she tours. The decision begins to strain her relationship and test her commitment to the stage.

    When
    before tour
    Where
    home
  3. Liz's husband has an affair and wants her to leave

    Liz discovers her husband is having an affair and is urged to leave by him. She wrestles with the pull between love, marriage, and career on the road. The domestic pressure foreshadows the larger conflict of women's independence.

    When
    before tour
    Where
    home
  4. Gunilla urged to stay home to help with the children

    Gunilla, mother of four young children, is urged by her husband to stay at home to help with the children. She worries about leaving her family but fears letting the tour or herself slip away. The touring schedule immediately encroaches on her domestic life.

    When
    before tour
    Where
    home
  5. The trio sets off on the Lysistrata tour

    The three actresses set off on the Lysistrata tour, leaving their homes behind for the first leg of the journey. Travel is long and tiring, and the pace tests their stamina and resolve. They hope the production will be worth the personal sacrifice.

    When
    start of tour
  6. Early performances meet polite indifference

    Early performances are met with polite indifference; audiences fail to grasp the play's meaning or grow bored. The trio senses a gulf between the material and the viewers. The touring circuit reveals how theatre can be met with disengagement rather than spark.

    When
    early on
    Where
    various venues
  7. Liz invites audience discussion after a performance

    After a single performance, Liz invites audience members to stay behind to discuss the play's meaning. When she speaks about women's lives and issues, the crowd is unmoved and even skeptical. A male company member treats the moment as if it were just another scene and ushers her offstage.

    When
    after performance
    Where
    stage/backstage
  8. Press attention follows Liz's post-performance moment

    Liz's outburst draws a hint of press attention, but reporters struggle to pin down a single incident. Without a clear catalyst, the coverage remains cautious and dismissive. The public's response seems to confirm the audience's initial reluctance.

    When
    following the stunt
  9. Leads discuss a potential women-only show over dinner

    Later, the three leads go out to dinner and discuss the problem of audience engagement. They wonder if a women-only show might better connect with viewers. The conversation reveals their frustration and longing for meaningful recognition.

    When
    after dinner
    Where
    dinner
  10. Men harass them at dinner; Marianne asserts herself

    Several men bother them; the women calmly turn down the advances, only to provoke hostility. Marianne, drawing on her resolve, warns and threatens to escalate the situation. The men back off, leaving the table under the tense weight of gendered power.

    When
    during dinner
    Where
    restaurant
  11. On the road, a friend's plea to return home

    A friend of Liz's husband presses Liz to come home, arguing that her husband needs a wife to support him and his work. Liz argues that her own career and independence matter as much as his. The conflict intensifies as the tour continues.

    When
    mid-tour
    Where
    on the road
  12. Liz remains on tour to finish the production

    Liz stays on until the end of the play, insisting on completing the production. The others endure personal sacrifices as the tour carries on. They emerge from the road with a sense that little has changed, yet the lives of women are more visible.

    When
    during tour
  13. Tour finishes and the women return home

    The tour finishes and the women return home with mixed feelings of fatigue and small victories. They feel that society is not ready to change, but they have raised awareness of their misery. The shared experience forges a bond among them.

    When
    end of tour
  14. Liz declares she wants a divorce

    At a party celebrating the end of the play, Liz declares she wants a divorce. The statement marks a personal victory of sorts, even if it remains a fragile option. The scene closes with a glimmer of possibility for independence.

    When
    end of tour
    Where
    party

Last updated: October 09, 2025 at 12:39

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Timeline questions answered

The Girls Timeline Explained: Your Questions Answered

When does it happen, and why in that order? The questions people ask about the chronology of The Girls (1968): time jumps, flashbacks, cause and effect between scenes and the correct order of events, each answered with spoilers.

Q1

Why does Liz interrupt the performance to discuss the play with the audience?

Liz interrupts the performance because she becomes frustrated with the audience's complete indifference to the play's message about women uniting. After performing Lysistrata to disengaged crowds who fail to grasp its feminist themes, she feels compelled to directly address the audience about the importance of women's solidarity, hoping to provoke a real reaction rather than polite boredom.

Foreshadowing: Earlier scenes establish the audiences' consistent disinterest, building Liz's frustration to the breaking point.

  • Liz Lysistrata audience interruption feminist message
Q2

Why can't the press find a specific incident to cover after Liz's outburst?

The press cannot pinpoint a single incident because Liz's outburst was a spontaneous expression of accumulated frustration rather than a reaction to one particular event. Without a clear catalyst or dramatic moment to report, journalists treat it as theatrical gimmickry rather than a genuine political statement, leading to dismissive coverage.

  • press coverage Liz outburst media response
Q3

Why do the three leads consider performing a women-only show?

They consider a women-only show because their performances of Lysistrata fail to resonate with mixed audiences who either don't understand or don't care about the play's themes. By performing exclusively for women, they hope the audience might better connect with the material about women's solidarity and resist the male-dominated societal structures the play critiques.

Foreshadowing: Earlier scenes show audiences failing to engage with the play's feminist message.

  • women-only show Lysistrata audience engagement
Q4

Why do the men at the restaurant become hostile when rejected?

The men become hostile when the women reject their advances because they perceive the refusal as a challenge to their authority. When Marianne and the others politely decline, the men respond with aggression, forcing Marianne to threaten them physically before they leave. This incident illustrates the broader theme of men refusing to accept women's autonomy.

  • harassment dinner scene Marianne threat men hostility
Q5

Why does Liz stay on the tour despite her husband's friend urging her to return home?

Liz stays because she is exhausted from years of putting her husband's needs above her own career. When his friend argues that her husband's work is more important than her acting, Liz recognizes this as another example of her contributions being dismissed. She refuses to abandon the production, insisting her work matters as much as his.

Foreshadowing: The summary establishes earlier that Liz's husband is having an affair and wants her to leave.

  • Liz husband friend tour independence career marriage
Q6

Why does Liz announce she wants a divorce at the end of the tour?

Liz announces she wants a divorce because the tour has crystallized her realization that she cannot continue sacrificing her own ambitions for a husband who doesn't value her. Having performed Lysistrata and experienced solidarity with the other women, she gains the clarity and strength to reject a marriage that has diminished her worth.

Foreshadowing: Liz's earlier struggle with her husband's affair and his friend's dismissal of her career foreshadow this decision.

  • Liz divorce independence marriage liberation
Q7

Why does Marianne struggle with leaving her toddler to go on tour?

Marianne struggles because she feels guilty about leaving her child in the care of babysitters while she pursues the tour. Having left her married boyfriend, she already carries guilt about disrupting her family life, and the tour forces her to reconcile her artistic ambitions with her role as a mother.

  • Marianne toddler guilt babysitter tour motherhood
Q8

Why does Gunilla's husband urge her not to go on the tour?

Gunilla's husband urges her to stay home because he needs her to help care for their four young children. He views her domestic responsibilities as more important than her participation in the production, treating the tour as an unacceptable abandonment of her family duties.

  • Gunilla husband children tour domestic responsibility
Q9

How does Lysistrata relate to the characters' own situations?

Lysistrata becomes a mirror for their lives because the play depicts women withholding sex from men to end war, paralleling the characters' own struggles for autonomy. Just as the characters in the ancient comedy demand to be heard, the three actresses face indifferent audiences and unsupportive partners, making the play's themes of women's solidarity directly relevant to their personal conflicts.

  • Lysistrata play theme women solidarity autonomy parallel
Q10

Why are audiences indifferent to the Lysistrata performance?

Audiences are indifferent because they either fail to grasp the play's meaning or find it boring. The 1968 Swedish audiences seem unprepared to engage with Aristophanes' ancient comedy about women uniting against war, viewing it as outdated or irrelevant rather than as a commentary on contemporary gender dynamics.

  • audience indifference Lysistrata Sweden 1968 theatrical tour
Q11

Why do the women feel the tour was worthwhile despite its failures?

The women feel the tour mattered because, although audiences and society remained largely unchanged, they themselves grew through the experience. Their shared struggles forged solidarity among them, and Liz's decision to seek divorce represents a personal victory. They have at least made viewers more aware of women's misery, even if systemic change remains elusive.

  • tour result awareness women solidarity personal growth

Movie threads

More Movies Like The Girls, by Mood & Story

Curated lists built around what makes The Girls tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Movies where art mirrors life like in The Girls

Stories where creative work and personal struggles mirror each other in revealing ways. If you enjoyed how The Girls blended onstage performance with offstage reality, you'll find similar resonance here. This collection features movies about artists, performers, and creators whose work becomes a lens for examining their own relationships, frustrations, and identities.

  • theatrical
  • introspective
  • frustrated
  • reflective
  • dreamlike
  • artistic
  • Tone: melancholic, reflective
  • Pacing: steady, contemplative
Why these movies?

The story pattern: Narratives in this thread typically follow creators on a journey, often a literal tour or project, where the boundaries between their art and their personal life become porous. The story structure frequently intercuts between performances or creative acts and the characters' private dramas, using the art as a metaphor or direct parallel to their internal conflicts.

Why they belong together: These films are grouped together due to their shared focus on the meta-narrative of creation. They possess a reflective tone, examining how we use art to process life, and often feature a steady, contemplative pace that allows for this introspection.

Bittersweet stories of female friendship like The Girls

Stories of women navigating life's complexities together, finding strength but no easy answers. For viewers who appreciated the nuanced portrayal of female camaraderie in The Girls, this section highlights similar movies. These films explore the strengths and fractures in women's friendships as they face challenges related to career, family, and feminism, often ending on a realistically bittersweet note.

  • introspective
  • female friendship
  • frustrated
  • resigned
  • bittersweet
  • reflective
  • Tone: melancholic, bittersweet
  • Pacing: steady, conversational
Why these movies?

The story pattern: The narrative pattern involves a group of women, often united by a shared purpose or situation, who support and sometimes challenge each other through personal trials. The journey leads to individual liberation and deeper understanding, but rarely a perfectly happy ending, instead favoring a mature acknowledgment of ongoing struggles and hard-won personal victories.

Why they belong together: These movies share a specific emotional mix: a medium emotional weight, a melancholic yet sometimes humorous tone, and a bittersweet conclusion. The pacing is steady, focusing on conversation and character development rather than plot-driven action, creating a deeply reflective experience about female identity and solidarity.

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Movies Like The Girls

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Every angle

The Girls (1968) Explained: Plot, Timeline & Characters

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