The Virgin Suicides

In the bright, pastel‑tinted suburbs of 1970s Michigan, a quiet town rests beneath the glow of porch lights and the hum of summer cicadas. The Lisbon house, a modest two‑story on a tree‑lined cul‑de‑sac, stands apart, its windows half‑closed against the world outside. Inside, the family moves to the rhythm of ordinary routine—Ronald teaching mathematics at the local high school, Sara maintaining the household with a blend of devotion and restraint—yet an unspoken tension lingers ever since a recent tragedy reshaped their lives.

At the heart of that tension are the five Lisbon sisters, ages thirteen to seventeen, each a distinct shade of the same melancholy. Cecilia carries the weight of quiet introspection, Therese blends shy grace with a yearning for connection, Mary balances a gentle steadiness, Bonnie radiates a soft, contemplative charm, and Lux pulses with a restless, almost rebellious energy. Their parents, anxious to shield them from further hurt, gradually withdraw the girls from school and the neighborhood, wrapping the household in a veil of privacy that deepens their isolation while simultaneously heightening their enigmatic allure.

Across the street, a loosely knit group of neighborhood boys watches the Lisbon sisters from a safe distance, their teenage curiosity mingling with admiration and unease. The boys share whispered conversations about the girls’ elusive lives, sketching fantasies and forming myths that bloom in the summer heat. Their fascination becomes a silent ritual—peeking through curtains, noting fleeting gestures, and trying to piece together the puzzle of a family that seems both familiar and untouchable.

The film lingers in this twilight space between observation and yearning, bathing the story in a wistful, almost lyrical tone. It captures the hush of suburban evenings, the slow drift of time, and the lingering echo of unanswered questions, inviting viewers to feel the pull of mystery without ever revealing its darkest heart.

Last Updated: August 10, 2025 at 12:41