The Super Cops

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The film begins with compelling archives from a press conference where Pat V. Murphy, the NYPD Commissioner, publicly praises officers David Greenberg and Robert Hantz for their extraordinary efforts in dismantling a substantial amount of illegal weapons and drugs plaguing the streets of New York City. These officers have built a reputation for their relentless commitment to fighting crime, even in the face of considerable danger.

After this introduction, the story shifts to the New York City Police Academy, where David Greenberg and Robert Hantz are graduating as probationary officers. Initially, their roles are mundane — mainly clerical work or directing traffic — which they find painfully dull. Frustrated by what they perceive as insignificant tasks, they frequently abandon their assigned duties to chase after sounds of gunfire or suspicious activity, showing their eagerness for real action.

Their early attempts at law enforcement are characterized by a mix of daring and recklessness. One day, Greenberg is standing outside in plain clothes when an elderly man offers to sell him some “French films,” a colloquial term for adult, pornographic movies. When Greenberg refuses the offer, the man unexpectedly attacks him, forcing Greenberg to arrest him. This incident results in trouble for Greenberg because he makes an off-duty arrest, which is considered unauthorized.

Undeterred, Greenberg and Hantz develop a pattern of making clandestine arrests during their off-duty hours. They go undercover at Coney Island dressed as Texaco attendants, where they successfully conduct a drug bust beneath the boardwalk. They bring their confiscated items to the local precinct, astonishing the station staff with the sheer volume of weapons and narcotics they’ve recovered. Their success encourages them to continue working outside their official duties, including stopping a stolen car on Convent Avenue in Harlem. Disguised and undercover, they bluff their way into being regarded as seasoned officers from the “SUB” division — short for traffic enforcement — even though they are still probationers.

After completing their probation, Greenberg and Hantz are assigned to the 21st Precinct in the chaotic neighborhood of Bedford-Stuyvesant, Brooklyn. Their first experience arriving at the precinct is a shock, as they are appalled by the decayed state of the area and the disarray within the station itself. They receive instructions to lay low and not cause trouble, but instead, they venture off in search of information, blindly hoping to find leads on drug dealers. Their efforts lead them to Sara, a local prostitute, whom Greenberg confidently tells he’s a cop — prompting her to scream for her pimp, creating a tense scene.

Despite these setbacks, Greenberg and Hantz persist. With Sara’s help, they gather intelligence and make their first official drug arrest. When they are brought to the precinct to be booked, they humorously inform the officers that they are just starting — “Tomorrow” — emphasizing their newness. Their relentless pursuit of drug-related crimes catches the attention of Captain Krasna, who is suspicious of their activities and believes their independence might be compromising the precinct’s integrity.

Greenberg rekindles his relationship with Sara at Hank’s Tip Top Inn, where he presses her for more information on drug operations. This cooperation pays off as they begin making regular busts, fueled by her intelligence. However, Captain Krasna later calls them in and, noticing the volume of their arrests, suspects possible corruption or involvement with Internal Affairs. To his surprise, however, their actions seem genuine, and he briefly considers encouraging their freelance investigations.

Sara warns Greenberg that a contract has been placed on their lives, and her threat is confirmed when an anonymous tip alerts the officers to potential assassins. The duo’s courage is tested when, in a daring daylight confrontation, they decide to take their chances and make a bold bust of the would-be killers. The local community, recognizing their bravery, cheer them on as the inimitable “Batman and Robin.”

Their persistence continues to be challenged during an arraignment, where they are offered a bribe of $1,500 to perjure themselves and dismiss the case. They attempt to gather evidence of the offer, but the District Attorney’s office unwittingly hampers their efforts by warning off the targets. This widespread suspicion and resentment among their colleagues, many of whom accuse them of being either corrupt or informants, isolate Greenberg and Hantz from the rest of the police force.

The duo eventually faces the Hayes Brothers, notorious drug traffickers controlling Bed-Stuy’s narcotics scene. The Hayes Brothers make a lucrative offer — a $1,000 weekly bribe — which Greenberg and Hantz pretend to accept to gain further intel. Greenberg’s demand to meet with their suppliers leads to a tense moment when one of the brothers spies Greenberg’s wire and attempts to eliminate the officers. In self-defense, Greenberg and Hantz shoot and kill the brothers amid the chaos, forcing them to temporarily step back from active duty while an internal investigation is undertaken by Inspector Novick.

As their situation becomes more precarious, Greenberg finds himself approached by another officer recently transferred from the 80th Precinct, who tries to involve him in a scam. Their meeting takes place at the Fish Delight Hut, but things quickly escalate when the officer reveals he is part of the Knapp Commission, aiming to entrap Greenberg and Hantz. Tensions reach a boiling point as both sides attempt to arrest each other for conspiracy, leading to a tense standoff. Greenberg even threatens to arrest the officers from the Knapp Commission for entrapment, revealing the deep-rooted corruption and suspicion within the department.

When Insp. Novick and Captain Krasna arrive, a surprising twist occurs: they discover that all parties have been secretly taping each other, exposing widespread misconduct. The conflict is ultimately diffused when everyone is promoted, symbolizing a complex, layered resolution to the chaos. The film concludes with a reenactment of the initial press conference, where Insp. Novick commends Greenberg and Hantz for their unwavering dedication and bravery, closing the story on a note of recognition for their relentless integrity and effort.

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Last Updated: August 19, 2025 at 05:13