The Son

In a quiet industrial quarter, a modest rehabilitation center offers young men a chance to learn a trade and perhaps a steadier future. Within its worn‑down workshop, the steady rhythm of saws and hammers creates a world where tangible work is meant to mask deeper unrest. The atmosphere is both hopeful and heavy, a place where routine masks the unspoken tensions that linger in the lives of its occupants.

Olivier is the center’s master carpenter, a stern yet skilled instructor whose own disquiet is hidden behind a façade of disciplined precision. Though his expertise commands respect, he carries an ache that colors his interactions, making him wary of taking on more than he can handle. The weight of his responsibilities is compounded by a lingering sense of loss, prompting him to guard his emotions carefully while still trying to fulfill the promises of his role.

When the center accepts a new apprentice, Francis steps into the workshop with the wary air of someone accustomed to being on the outside of society’s expectations. His presence unsettles the established order, and his quiet intensity draws Olivier’s attention in a way that feels both professional and unsettlingly personal. The budding mentorship quickly becomes a study in boundaries, as the carpenter finds himself increasingly preoccupied with the teenager’s life beyond the workshop walls.

As the two men navigate the delicate balance between guidance and intrusion, the film settles into a tense, introspective mood. It teeters between the calm of routine labor and the undercurrents of concealed histories, prompting both characters to confront questions of duty, obsession, and the lengths one will go to understand—or perhaps to resolve—a lingering inner conflict.

Last Updated: November 25, 2025 at 15:06