The Robbery of the Third Reich

The Robbery of the Third Reich

Year: 2004

Runtime: 105 mins

Language: Serbian

Director: Zdravko Šotra

WarCrimeComedy

During 1941 in Belgrade, two well-known thieves try to carry out the biggest robbery of Nazi authorities ever.

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In the spring of 1941 Belgrade trembles under the weight of an occupying force, its streets a tangled maze of fear, opportunity, and whispered ambition. The city’s once‑familiar rhythm is eclipsed by the rigid march of German authority, yet beneath the watchful eyes of soldiers an undercurrent of defiance still pulses, turning ordinary alleys into hidden stages for those daring enough to rewrite their destinies.

Glavonja and Kalauz are two of the city’s most infamous opportunists, bound together by a blend of intellect and impulse. Glavonja is a calculating polyglot, a self‑styled architect of grand schemes who resents the label of “thief” and views each heist as a work of art. In contrast, Kalauz moves on instinct, drawn to the glitter of easy gain and the thrill of immediate reward. Their partnership thrives on this tension: the meticulous planner and the reckless enthusiast, each pushing the other toward ever bolder horizons while maintaining a fragile, almost brotherly loyalty.

When the German occupation tightens its grip, a rare chance emerges. The pair are coerced into assisting a high‑ranking officer with a perplexing safe, and in the turmoil they seize forged documents that proclaim them as relatives of the Führer and heroes of the Reich. With these counterfeit identities they step out of Belgrade’s shadowed lanes and set their sights on Berlin, the heart of the empire that now cloaks them in a precarious veneer of respectability.

The film balances sharp wit with relentless tension, painting a world where deception is both shield and spear. It invites viewers to linger on the uneasy glamour of counterfeit prestige, the constant hum of danger that underlies every polished encounter, and the moral haziness that colors survival in a war‑torn landscape. As Glavonja and Kalauz navigate societies built on appearances, the story teeters between daring audacity and the ever‑looming threat of exposure, leaving the audience poised on the edge of an uncertain, intoxicating gamble.

Last Updated: October 14, 2025 at 03:56

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