The Rise and Rise of Michael Rimmer

In a Britain painted with the bright colors of flared trousers, mini‑skirts and a restless media buzz, the world of opinion‑polling crackles with the same electric flamboyance that defines the era’s politics. The film opens amid the clatter of a struggling advertising agency, a place where stale hierarchies are about to be upended by a newcomer whose very presence feels like a calculated experiment in influence.

The newcomer is Michael Rimmer, a fresh‑faced, sharply observant figure whose weapon is not brute force but an uncanny knack for reading numbers and people alike. With a blend of charm, wit and a disquieting confidence, he slips into the firm’s routine, quickly asserting a quiet authority that eclipses the well‑meaning but inept manager known as Ferret. The staff’s bewilderment turns to fascination as Rimmer reshapes the operation, turning a dying outfit into a sleek engine for marketable insight.

Rimmer’s talents soon carry him beyond the office walls and onto television screens, where his polished demeanor and persuasive delivery make him a sought‑after polling expert. The burgeoning media persona catches the eye of the Conservative opposition, led by the charismatic Tom Hutchinson, whose own ambitions find a useful companion in Rimmer’s data‑driven savvy. Their uneasy alliance hints at a larger game in which perception can outweigh policy, and where the art of polling becomes a stepping stone toward political power.

The film balances razor‑sharp satire with a glossy, almost theatrical aesthetic, capturing the absurdity of a society that prizes opinion as much as fact. As Rimmer navigates the corridors of influence, the story invites the audience to contemplate how easily public sentiment can be moulded, and how a single, deftly‑played individual can turn the mechanisms of democracy into a personal platform for ascent.

Last Updated: December 04, 2025 at 23:09