The Jayne Mansfield Story

In 1967, Jayne Mansfield closes a show in Mississippi and calls Mickey Hargitay on a payphone to discuss a new tour. The conversation hints at a strategic move to revitalize her acting career with a traveling show. The scene sets up the film’s biographical arc around fame, image, and ambition.

The film cuts to a car scene where Mansfield is involved in a crash when another vehicle overtakes a spray truck. A teleprinter types out the news of her death while an announcer reads the text, intercut with the crash footage. The sequence frames the tragedy that looms over the life story being told.

The opening credits appear, intercut with still images of Mansfield as a child and as a young woman. The montage introduces the life story the film will chronicle, contrasting innocence with fame. It establishes the biographical rhythm that underpins the narrative.

An unnamed interviewer asks Hargitay about Mansfield, with his graying hair signaling the passage of years since her death. He shares recollections while flipping through old photos, including a publicity shot of Mansfield with a chimpanzee. His narration frames the rest of the film as a retrospective.

Scenes at a theater and at home reveal Mansfield's resolve to act in films while balancing motherhood. She is shown as a single mother raising her daughter Jayne Marie after the father left because he disagreed with her ambition. The segment emphasizes the personal costs behind her public pursuit of stardom.

On the street, Mansfield seeks out talent agent Bob Garrett, whom she met off-screen at a premiere. She plays up her confidence, declaring that she has something more than Marilyn Monroe and persuades him to give her an audition. This moment marks the initial steps in her professional rebranding.

At the audition, Mansfield declines to read the assigned line and instead performs a line from Come Back, Little Sheba. She uses bold audacity to grab attention and establish her unconventional approach. Ultimately, she does not land the part.

Months later, Garrett meets with Mansfield at a car dealership and urges her to lose weight and change her hair. She counters with a plan to present a bright, airheaded bimbo image initially, aiming for later, more serious roles. The exchange reveals the strategic compromises behind her early career choices.

Another month passes as Mansfield returns to the car dealership, this time receiving a pink Cadillac for free as a promotional boost. The gift symbolizes the growing material rewards attached to her evolving public persona. It also showcases the lengths to which the industry will go to market a new star.

Mansfield, with Garrett's help, appears at the Southern California press club to raise her profile, handing out Christmas presents in a white fur-trimmed bikini top and bottom. The stunt displays her readiness to leverage provocative publicity for attention and work. The scene highlights the manufactured allure of her image.

During a Florida poolside photoshoot, Mansfield pretends to fall into the water and loses her bikini top, shouting that she can't swim to draw photographers' shots. The moment underscores her comfort with daring publicity and her mastery of media spectacle. The incident contributes to the controversial, sensationalized image that defined her early career.

Together these moments trace the rise through attention-seeking stunts, revealing the film’s central tension between ambition and the cost of fame. The sequence foreshadows the broader arc of Mansfield's ascent and eventual downfall, as public perception increasingly defines her career. The film uses these early scenes to frame a cautionary biographical tale.