The Hill

In the Libyan desert, the glasshouse prison accepts five new inmates: Roberts, McGrath, Stevens, Bartlett, and King. They are quickly absorbed into a tense hierarchy as guards eye them with suspicion. The arrival sets the stage for a clash between inmates and camp authorities.

A newly arrived NCO begins enforcing harsh punishments against the newcomers. He uses excessive force to establish authority and signals that discipline will be brutal and uncompromising.

The guard orders the prisoners to repeatedly climb a man-made hill at the camp's center. The brutal regimen, intensified by desert heat, wears the men down and heightens tensions.

During another round of hill drills, Stevens collapses and dies from exhaustion. His death crystallizes the brutality of the regime and inflames the prisoners' anger.

Roberts, a former Royal Tank Regiment sergeant major, arrives with McGrath and openly challenges Williams' brutality. He questions the legitimacy of the punishment and what it says about the camp's leadership.

Tensions rise as Williams, the conscience Harris, and the Regimental Sergeant Major Wilson vie for control of the camp. Each man advocates a different approach to discipline and order.

Roberts continues to challenge Williams' methods, defending the prisoners and undermining Williams' authority. The confrontation signals a broader contest over who leads the camp.

In a tense power play, Williams attacks Roberts in an empty cell while others watch. The brutality exposes how far Williams will go to maintain control.

King endures racial abuse from the RSM and chooses to refuse wearing his uniform and submitting to army discipline. His act becomes a highlighted stand against abuse.

The medical officer and Harris confront the abuse, deciding to document it and report Williams and the RSM to higher authorities. Their growing conscience fuels the plan to expose the misconduct.

The RSM attempts to blackmail the medical officer by citing Stevens' fit-for-punishment rating. The pressure only strengthens the resolve to expose the abuse.

Roberts lingers alone in his cell, thinking the group’s resistance has won. Williams returns to beat him again, reigniting the conflict and keeping the prisoners in fear.

King and McGrath intervene to defend Roberts, attacking Williams as the tension reaches its peak. The scene centers the prisoners' solidarity against the brutal leadership.

The film ends with the attempted revolt as prisoners confront Williams. Roberts pleads 'you'll muck it up' while King and McGrath act, and the screen fades to black.