The Future Is Woman

Anna intervenes when she sees Malvina being harassed by thugs in the nightclub. Driven by compassion and perhaps her unresolved desire for motherhood, Anna feels compelled to help the pregnant woman. This impulse sets in motion the entire chain of events, as Anna brings Malvina to her shared home with Gordon, creating the triangular relationship that defines the film.

The film hints at Anna's maternal longing early, as she is drawn to protect the vulnerable pregnant woman.

Gordon sacrifices his life during the violent confrontation at the concert when drifters attack the venue. He attempts to shield Malvina from the attackers and receives a fatal blow to the head. His death underscores the film's exploration of unconventional bonds, the sexually charged relationship he shared with both women appears to have cultivated genuine protective instincts toward Malvina and her unborn child.

The tense atmosphere at the concert and the presence of the drifters foreshadow the impending violence that claims Gordon's life.

Malvina departs without a word immediately after giving birth on the beach, placing the newborn in Anna's arms. This act represents both an abandonment and a transfer of maternal responsibility. Anna, who has channeled her longing for motherhood into caring for Malvina throughout the pregnancy, suddenly finds herself with the child she always wanted, but without Malvina. The departure is ambiguous, suggesting either inability to cope or a deliberate choice to let Anna have the child she could not have biologically.

The sexually charged but ultimately incomplete bond between the three characters hints at emotional distances that make Malvina's departure less surprising.

After the violent chaos forces evacuation of the sports hall, singer Pierangelo Bertoli chooses to resume his performance to the nearly empty stands. This surreal moment serves as a grim commentary on art's ability to continue despite tragedy, or perhaps the indifference of the world. The trio remains in the hall with Gordon's body, processing their grief while music plays on, creating a stark contrast between life and death, performance and reality.

The concert was portrayed as a significant event earlier, building toward this moment of artistic persistence amid personal catastrophe.

A sexually charged bond forms among Anna, Gordon, and Malvina, blending care with desire and vulnerability. Anna channels her unfulfilled longing for motherhood into the pregnancy, becoming emotionally and physically close to Malvina while Gordon also participates in this intimate arrangement. The relationship is deliberately ambiguous, neither purely romantic nor purely platonic, but something unconventional that challenges traditional notions of family and partnership.

The sexually allusive nature of their interactions is established early when Anna brings Malvina into her shared home.

Following Gordon's violent death at the concert, the two women strengthen their bond and decide to flee the city. The city represents the site of trauma, the nightclub attack, the violent confrontation, and Gordon's death. They seek a quieter place to process their grief and prepare for the impending birth. This departure also marks a transition from the chaotic urban environment to a more peaceful setting where Malvina can give birth.

The escalating violence at the concert makes the city increasingly unsafe and unwelcoming for the pregnant Malvina.

The film ends with Anna holding the newborn baby that Malvina has left in her arms. This creates an uncertain but potentially hopeful future for Anna, she now has the child she always wanted, but without the mother present. The ending is bittersweet: Anna gains maternal responsibility while still dealing with grief over Gordon and the abrupt loss of Malvina. The unresolved departure leaves her in an unconventional family situation, suggesting both possibility and ambiguity.

Anna's role as a caretaker throughout Malvina's pregnancy foreshadows her ultimately assuming full maternal responsibility.

Malvina departs immediately after giving birth without speaking a word to Anna. This silent departure reflects either her inability to form lasting emotional attachments, her belief that Anna will provide better for the child, or perhaps a trauma response. It also completes her arc as a transient figure, she entered Anna's life unexpectedly and exits the same way. The lack of explanation leaves the relationship's meaning open to interpretation.

Malvina's vulnerable state as a pregnant woman fleeing thugs establishes her as someone running from her circumstances rather than facing them.

The title refers to the film's exploration of female agency and reproduction as the essence of future possibility. With Gordon dead, the future rests solely with the women, Malvina as the biological mother and Anna as the caretaker. The child represents continuity and hope, while the two women's bond, forged through trauma and intimacy, becomes the foundation for this new family structure. The title suggests that despite tragedy, feminine connection and motherhood create tomorrow.

The central role of pregnancy and Anna's maternal yearning establishes the thematic weight of the title early on.