A former philosophy professor now working as a deliveryman finds himself entangled in a dangerous situation when a robbery goes wrong, leaving a large sum of money within his reach. As the police investigation intensifies, he grapples with a difficult moral dilemma, questioning his own principles while contemplating the allure of keeping the stolen cash and facing the potential repercussions.
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Pierre-Paul Daoust, despite holding a PhD in philosophy, finds himself working as a delivery man to make ends meet, convinced that his intellect might be too great to lead him to success. One day, while making a delivery in the bustling city of Montreal, he unexpectedly becomes a witness to a robbery that culminates in a deadly shootout. As the chaos unfolds, he spots two gym bags overflowing with millions of dollars in cash left unguarded on the ground. In a rush, he seizes the opportunity, grabs the bags, and pushes them into his delivery truck just moments before the police arrive to question him as a bystander.
After the police dismiss him, Pierre-Paul takes the daring step of renting a storage locker to securely stash the bags and most of the cash, keeping a portion hidden within his apartment. As he grapples with the dilemma of handling such a massive sum, he learns through the news that biker Sylvain “The Brain” Bigras is being released from prison. Intrigued by the fact that Bigras had pursued a Bachelor in Finance while incarcerated, Pierre-Paul decides to make contact and seeks his expertise on financial matters.
When they finally meet, Bigras demands paperwork to review Pierre-Paul’s financial dealings, only for Pierre-Paul to reveal the shocking truth: he possesses only bags of stolen cash. Bigras quickly deduces that the money was likely taken from the notorious West End Gang, which had been utilizing a store owned by banker Vladimir François to keep its funds. François orchestrated the heist in the belief that he deserved a larger cut, while his bodyguard’s unintentional presence triggered the fatal shootout. As the gang members relentlessly pursue their lost money, they resort to torturing gang member Jacmel for information.
Amidst the turmoil, Pierre-Paul turns to the internet in search of an escort, leading him to Camille Lafontaine, who entices him using an alias inspired by Socratic philosophy. When Lafontaine leaves his apartment, she crosses paths with police officers Pete La Bauve and Carla McDuff, who are there to question Pierre-Paul. Recognizing her as a high-profile escort, they begin to probe into Pierre-Paul’s means to afford her services.
Bigras cautions Pierre-Paul against pursuing Lafontaine, but Pierre-Paul insists that he has a valid “alibi”, claiming she is merely a friend. However, Lafontaine is skeptical of Bigras, fearing he will abscond with the money. In a twist of fate, upon discovering that their storage locker is mysteriously empty, they realize that Bigras has relocated the cash to his own home to keep it safe. The situation escalates further when Pierre-Paul learns of Jacmel’s torture and, ignoring Bigras’ warnings, insists on providing Jacmel with protection.
Simultaneously, the West End Gang holds Vladimir accountable for the missing funds, resulting in a hit being put out on him. Through Lafontaine’s connections, Pierre-Paul eventually meets Wilbrod Taschereau, a specialist in tax evasion, discussed alongside Bigras, as they concoct a plan to create a phony children’s charity to launder the stolen money into Switzerland.
Transitions in the story lead to the money being distributed while Taschereau’s clients transfer their funds overseas and into Pierre-Paul’s possession. Meanwhile, La Bauve and McDuff begin to realize that a deal is in the making but are unable to intervene due to the lack of available officers since many are occupied with responding to a student protest. Things take a turn when they manage to arrest Taschereau for soliciting a minor.
The pursuit becomes more tangled as La Bauve and McDuff trail Pierre-Paul and Lafontaine to The Street, a charitable initiative supporting the homeless in Montreal. In a surprising twist, instead of apprehending them, the officers join as volunteers alongside Pierre-Paul and Lafontaine, where discussions arise surrounding social issues, income inequality, and thoughts on potential revolution.
Last Updated: November 08, 2024 at 16:27
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Crime capers that mix moral dilemmas with social satire and wit.If you liked the blend of crime, comedy, and moral philosophy in The Fall of the American Empire, explore these movies. They feature similar stories of unlikely criminals, witty social commentary, and heists that make you think as much as they make you laugh.
The narrative typically begins with a chaotic, high-stakes event like a robbery, but quickly shifts focus to the intellectual and moral fallout for the protagonists. Characters are often intellectually inclined or socially aware, leading to humorous and reflective debates about greed, inequality, and justice as they decide what to do with their ill-gotten gains.
Movies in this thread share a unique balance: they present crime scenarios with genuine stakes, but filter them through a lens of comedy and social observation. The emotional weight remains light, prioritizing clever dialogue and character-driven dilemmas over grim violence or despair.
When book-smart protagonists find themselves in a street-smart world.Find more movies like The Fall of the American Empire where cerebral heroes face criminal dilemmas. These films feature philosophers, academics, or thinkers who use their intellect to navigate dangerous plots, creating a unique blend of action and ideas.
The plot revolves around a character whose life of the mind is disrupted by a violent or criminal event. Their journey is one of applying abstract principles to concrete, high-stakes problems. The conflict often arises from the gap between their intellectual understanding of morality and the pragmatic demands of survival, leading to unexpected alliances and solutions.
These films are grouped by their unique protagonist archetype and the central theme of intellect versus instinct. They share a cerebral, almost detached perspective on crime, where the internal moral debate is as compelling as the external threat, creating a distinctively thoughtful vibe within the crime genre.
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