The Exterminating Angel

The Exterminating Angel

Year: 1962

Runtime: 93 mins

Language: Spanish

Director: Luis Buñuel

DramaComedyFantasyHumanity and the world around usSurreal and thought-provoking visions of life and death

A seemingly ordinary high‑society dinner turns surreal when, after retiring to the host’s music room, the guests discover they cannot exit. As minutes stretch into hours, polite facades crumble, exposing the pretensions and moral decay of the bourgeois circle trapped in an inexplicable, claustrophobic stasis.

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Timeline & Setting – The Exterminating Angel (1962)

Explore the full timeline and setting of The Exterminating Angel (1962). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1960s

Set in a contemporary mid-20th-century Mexico, the events unfold over a single long night and into the following day. The setting relies on familiar luxury and social ceremony to heighten the sense of confinement. As the hours pass, the distinction between politeness and panic dissolves, revealing the fragility of civil order.

Location

Nóbile Mansion, Opera House, Cathedral

The central action unfolds inside the opulent Nóbile family mansion, a space that highlights class and propriety. A night at the opera leads to a dinner party where guests gradually become trapped by their own manners and expectations. The narrative culminates with exits to the streets and finally the cathedral, underscoring the surreal escalation from domestic salon to public spectacle.

🏰 Mansion 🎭 Social dynamics 🗺️ Mexican bourgeois setting

Last Updated: October 04, 2025 at 16:55

Main Characters – The Exterminating Angel (1962)

Meet the key characters of The Exterminating Angel (1962), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Edmundo Nóbile (Enrique Rambal)

Edmundo is the suave host whose charm masks a growing detachment. He pushes the party toward deeper ritual and control, acting as a catalyst for the group’s unraveling. His readiness to confront mortality underscores a cold pragmatism that clashes with others' facades.

💼 Wealthy 🧭 Manipulative 🔎 Enigmatic

Lucía Nóbile (Lucy Gallardo)

Lucía embodies the hostess’s concern with appearances and social games. She oscillates between insisting on civility and succumbing to mounting anxiety that paralyzes the gathering. She remains both observer and participant in the crisis.

💃 Elegant 🗝️ Anxious 🕊️ Propriety

Blanca (Patricia de Morelos)

Blanca is the pianist whose Paradisi cue anchors the room to a remembered moment. Her fatigue and quiet influence push the group to re-enact the night’s ritual, keeping a fragile thread of order.

🎹 Music 🧭 Catalyst 🕯️ Reverence

Alicia Roc (Jacqueline Andere)

A guest whose social maneuvering mirrors the era’s class concerns. Alicia navigates the party’s politics with a mix of charm and calculation, contributing to the tension that sustains the entrapment.

💼 Aristocrat 🗝️ Strategist 🗣️ Social

Leticia 'La Valkiria' (Silvia Pinal)

Leticia is a perceptive figure who identifies patterns in the gathering and hints at possible escape. As fear grows, her clarity sharpens, making her one of the few who sees the crisis clearly.

🧠 Insightful 🕊️ Bold 🧭 Leader

Sergio Russell (Antonio Bravo)

Sergio is the guest who dislikes jokes and becomes a focal point for rising tension. His presence accelerates the group’s deterioration and moral ambiguity.

⚖️ Pompous 🗯️ Tense 🧯 Provocative

Eduardo (Xavier Massé)

Eduardo is a friend whose interactions reveal class rifts and latent antagonism. His demeanor, paired with Beatriz’s, culminates in moments of despair that illustrate the collapse of order.

💬 Social critic 🪞 Tense 🗺️ Conflict

Beatriz (Ofelia Montesco)

Beatriz is a young engaged woman whose presence heightens the social stakes. Her alliance with Eduardo intensifies the tension, signaling a moral cost to the entrapment.

💍 Engaged 🫖 Fragile 🗝️ Catalyst

Leandro Gómez (José Baviera)

Leandro is a guest whose aloofness and vanity contribute to the friction. He is part of the social circle that thrashes between civility and chaos, including the notable three-way greeting with Cristián.

🕴️ Social 🗝️ Friction 🧭 Ambiguity

Cristián Ugalde (Luis Beristáin)

Cristián’s repeated greetings mirror the party’s ritual tension and highlight the disconnect between surface politeness and inner fear. He personifies the friction between tradition and the unraveling present.

🤝 Formal 🧭 Tradition 🕰️ Repetition

Raúl (Tito Junco)

Raúl is the conspiratorial guest who tries to steer the group toward drastic decisions. His presence underscores how quickly authority and manipulation can warp a gathering.

💼 Leader 🗡️ Tension 🕳️ Manipulation

Dr. Carlos Conde (Augusto Benedico)

Dr. Conde is the medical voice who attempts to reason, only to be drawn into deception as the group hides a corpse. His rationalist impulse collapses under fear and superstition.

🧪 Doctor 🧭 Rational 🕳️ Deceit

Col. Álvaro (César del Campo)

Col. Álvaro is the military figure among the guests whose authority and power dynamics surface as the crisis deepens. He participates in the group’s decision-making under pressure.

🎖️ Authority 🧭 Power 🕊️ Tension

Last Updated: October 04, 2025 at 16:55

Major Themes – The Exterminating Angel (1962)

Explore the central themes of The Exterminating Angel (1962), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

🔒 Confinement

A dinner party gradually becomes a trap, with doors and social thresholds turning into barriers. Polite conversation and formal etiquette yield to fear, forcing the guests to confront their own limits. The mansion itself feels like a pressure chamber where personal veneers crack under stress.

🎭 Rituals

Repetitive motions—re-entering the salon, restaging conversations, and Blanca’s piano cue—convert ordinary behavior into a coercive ceremony. The guests cling to appearances even as the structure of their world dissolves. This ritualistic inertia exposes the hypocrisy of bourgeois civility.

🐑 Surrealism

Dreamlike, grotesque images—the roaming sheep and bear, the repeated patterns, and the inexplicable crowd outside—inject an uncanny logic into the narrative. The surreal elements reveal how quickly civilization can unravel when routine comforts vanish. The ending, with chaos inside and outside a cathedral, seals a disturbingly allegorical tone.

Last Updated: October 04, 2025 at 16:55

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The Exterminating Angel Summary

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The Exterminating Angel Summary

The Exterminating Angel Timeline

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The Exterminating Angel Timeline

More About The Exterminating Angel

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