The Current War

In the waning years of the nineteenth century, America teeters on the brink of a luminous transformation. A restless energy pulses through bustling cities and fledgling towns alike, promising to replace oil lamps with a steady, reliable glow. The film immerses viewers in an era where invention is both a public spectacle and a private obsession, and where the promise of power feels as intoxicating as it is uncertain. The tone balances gritty industrial realism with a soaring sense of possibility, letting the hum of newly‑wired streets become a character in its own right.

Thomas Edison enters this world as a magnetic showman, driven by an unshakable belief that his inventions can reshape daily life. His relentless optimism is matched by an exacting work ethic, and his charisma draws investors, journalists, and a devoted inner circle. Opposite him, George Westinghouse embodies a more measured, engineering‑focused mindset. He is a pragmatic entrepreneur who trusts the science of his designs and values efficiency over flash. Their contrasting personalities create a compelling tension: Edison’s flair for public demonstration clashes with Westinghouse’s quiet confidence in technical superiority, setting the stage for a contest that feels as much personal as it is professional.

Against this backdrop, the story unfolds with a palpable sense of anticipation. The race to harness electricity becomes a metaphor for the broader struggle to control progress itself, raising questions about ambition, ethics, and the cost of illumination. As both men rally supporters, court skeptics, and the curious public, the film maintains a steady undercurrent of intrigue, hinting at the monumental stakes without revealing the outcomes. The atmosphere is charged with the electric buzz of discovery, leaving the audience eager to see how these opposing visions will reverberate through history.

Last Updated: August 10, 2025 at 03:05