The City of the Dead

In a secluded corner of Massachusetts, the town of Whitewood clings to its colonial charm while whispers of old witchcraft linger in the autumn air. The atmosphere is thick with mist‑soaked pine and the faint scent of candles, a place where history feels alive and the line between myth and reality blurs. Into this quiet backdrop arrives a curious scholar, Nan Barlow, a college student whose fascination with the town’s darker past drives her to spend her vacation tracing the remnants of a 17th‑century tragedy.

Nan checks into The Raven’s Inn, a foreboding establishment that seems to hold its own secrets behind weathered shutters and low, stone‑capped arches. The inn’s proprietor, Elizabeth Selwyn, greets her with a polite, almost timeless smile, while the only visibly ordinary resident, Patricia Russell, offers a weathered tome on witchcraft that hints at the town’s buried rituals. As Nan delves into the pages, she senses that Candlemas Eve carries a weight beyond folklore, and that the town’s calm surface may conceal a hidden community whose longevity defies ordinary explanation.

Beyond the inn’s dim corridors, the surrounding village feels both welcoming and unsettling, its residents moving with a deliberate patience that suggests they have witnessed centuries pass. Nan’s academic mentor, Professor Driscoll, encouraged the trip, while her fiancé, Bill Maitland, and her brother, Richard Barlow, remain on the periphery, each drawn by concern and curiosity. The mood swells with an undercurrent of dread and intrigue, inviting the viewer to wonder what ancient forces linger in the shadows of Whitewood and what price knowledge might demand in a place where the past refuses to stay buried.

Last Updated: December 05, 2025 at 09:16