Taxi Blues

In late‑1980s Moscow, a city still humming with the remnants of Soviet certainty, the streets pulse with restless energy and the promise of change. The film opens amid the smoky clubs and cramped apartments that define the era, painting a world where ideology collides with the surge of Western culture. The atmosphere is both gritty and melancholic, a blend of cold bureaucracy softened by the improvised chords of underground music, inviting the viewer to feel the tension between the old order and the dawning of something new.

Ivan Shlykov is an ex‑Soviet taxi driver whose heart still beats to the rhythm of Communism. He carries the weight of past convictions, a disciplined routine, and a deep‑seated suspicion toward the artistic world he sees as a source of upheaval. His life is orderly, his taxi a sanctuary of controlled routes and predictable fares, yet beneath the stern exterior lies a longing for purpose and a quiet yearning for the certainty of his former ideals.

Across the street, Alexey Seliverstov drifts through nights of jazz and drink, a saxophonist whose talent is matched only by his struggle with alcohol. He embodies the restless idealist, chasing creative freedom while wrestling with self‑destruction. When a chance encounter over an unpaid taxi fare forces the two men onto a shared path, their contrasting worlds begin to intersect. Their budding connection is a love‑hate dance of pragmatism versus passion, a fragile bridge between duty and artistry that hints at deeper questions about loyalty, ambition, and the price of belonging in a city on the brink of transformation.

Last Updated: December 03, 2025 at 23:39