Spoor

In the windswept Kłodzko Valley, a remote corner of southwestern Poland, the landscape shifts from stark, snow‑capped winters to sun‑drenched summer woods, each season echoing the inner rhythm of the isolated village that clings to its traditions. The valley feels both timeless and uneasy, a place where the silence of the forest is punctuated by whispered rumors and the weight of old customs. It is against this backdrop that Janina Duszejko, an elderly woman who lives alone with her two dogs, observes the world with a blend of stubborn independence and a deep, almost mystical concern for the creatures that share her home.

Janina is an eccentric guardian of animal welfare, whose convictions are rooted in astrology, animal tracks, and a fierce belief that the natural world speaks truths the human community prefers to ignore. When unsettling events begin to ripple through the valley, she finds herself at odds with the local authorities—police, a priest, and a prosecutor—who dismiss her observations as fanciful. Yet she refuses to be silenced, turning instead to the few allies who recognize her determination. Among them is Dyzio, a younger, tech‑savvy resident whose quiet competence provides a bridge between Janina’s old‑world intuition and the modern mechanisms of the town.

The film’s tone is a slow‑burning meditation on power, belief, and the fragile line between humanity and the wild. As Janina pushes deeper into the mysteries that disturb her community, she encounters Boros Schneider, a Czech entomologist whose scientific curiosity mirrors her own reverence for nature. Their tentative connection adds a layer of contemplative romance to the story, underscoring a shared quest to understand the forces at play. Together, they navigate a world where wealth, tradition, and bureaucracy clash with an unyielding commitment to truth, creating an atmosphere both hauntingly beautiful and quietly defiant.

Last Updated: October 05, 2025 at 16:53