Set Me Free

In the summer of 1963, a quiet corner of rural Quebec gives way to the bustling streets of Montreal, a world where post‑war anxieties mingle with the restless energy of a new cinematic era. The film paints an intimate portrait of a modest family struggling to hold together amidst financial strain and cultural displacement, their lives threaded through the rhythms of everyday labor, poetry, and whispered histories. Against this backdrop, the city’s cafés and dimly lit theaters pulse with the promise of ideas that have never before brushed the provincial horizon.

Hanna arrives at the centre of this turbulence as a thirteen‑year‑old on the cusp of womanhood. Her body’s first changes arrive with a family that is both loving and bruised: a grandfather and uncle on the farm, a poet‑father who survived the Holocaust and now wrestles with his own temper, and a mother whose quiet endurance masks deep fatigue. The household is a delicate balance of yearning and duty, and Hanna feels both drawn to and alienated from the adults whose world she is only beginning to understand. Her brother Paul offers a small sanctuary, a hint of sibling camaraderie amid the cramped apartment they now share.

The arrival of Jean‑Luc Godard’s Vivre sa vie in a nearby theater becomes a secret catalyst for Hanna’s inner awakening. The film’s heroine, Nana, embodies a fierce sense of personal responsibility that resonates with the teenager’s own search for identity. At school, a teacher whose presence echoes the enigmatic Anna Karina captures Hanna’s imagination, encouraging her to look beyond imitation and forge her own perspective. Through borrowed gestures and quiet rebellion, she begins to explore the confusing terrain of emerging sexuality and self‑definition.

The tone of the story is simultaneously lyrical and unflinching, blending the stark realism of a working‑class Montreal neighborhood with the dreamy, avant‑garde allure of 1960s French New Wave cinema. It follows Hanna as she oscillates between the safety of family expectations and the intoxicating pull of artistic freedom, inviting the audience to witness a delicate, unresolved journey toward self‑possession.

Last Updated: December 03, 2025 at 23:32