Harry Russo is introduced as a disturbingly unstable figure: a psychotic, drug-addicted crossdresser who works as a screenwriter, living under the shadow of a puppet named Rubberneck. Gift from his girlfriend Drew, Rubberneck serves as his eerie mascot and, in his fractured mind, a voice that commands violence. The narrative follows his rapid descent as he heeds Rubberneck’s impulses, beginning with brutal assaults on sex workers that culminate in murder—a chilling spree that makes the city increasingly anxious and unsettled.
As his grip on reality continues to unravel, the film peels back the layers of his haunted past. He confesses to Rubberneck that his childhood was marked by neglect, humiliation, and abuse, a history that left deep scars and helped fuel his later crimes. He recounts the moment he killed his father when faced with abandonment, a pivotal memory that echoes through his later acts. This backstory layers the character with a disturbing psychology: trauma fueling a creative mind that has become a vehicle for killing.
The tension intensifies when a volatile confrontation with his girlfriend Drew escalates into murder. In a brutal turn, he ends her life and, in the wake of this act, descends further into darkness, committing acts that starkly reveal his complete moral collapse. His partner-in-crime also becomes a casualty of this violent arc, as the violence surrounding their shared crimes spirals out of control. The authorities begin to connect the dots, recognizing that a serial killer is on the loose, and Rubberneck remains a chilling, almost supernatural presence guiding the chaos.
The killer’s rampage continues into a pornographic theatre, where his disruptive behavior alienates other patrons and he lashes out with lethal force. A televised news report finally names him as the culprit, and in a panic, he tries to dispose of Rubberneck, only to experience a total break from reality. Nightmares and hallucinations blur the line between the puppet’s voice and his own thoughts, driving him toward a climactic breakdown.
Ultimately, the tension detonates when, in a final act of desperation and madness, he strangles a nearby child and, adopting a new appearance, flees the scene with Rubberneck in tow. The film closes on a bleak note, painting a portrait of a mind shattered by trauma, obsession, and the intoxicating allure of control. Throughout, the story remains a stark, unflinching examination of how trauma can warp perception, fuel compulsion, and push a person past the point of no return, all framed by the unsettling, fever-dream ambiance surrounding Rubberneck and the escalating violence it inspires.
