Repulsion

In a cramped London flat that feels both shelter and cage, Carole Ledoux lives a quiet life as a manicurist, her days measured by the rhythm of brushes and the soft hum of the city outside. Beneath her composed exterior lies a deep, almost visceral fear of men, a dread that colors every interaction and makes ordinary moments feel precarious. The apartment, with its narrow hallways and thin walls, amplifies every creak and distant conversation, turning the domestic space into a subtle pressure cooker of anxiety.

Carole shares the flat with her older sister Helen, whose more outgoing personality and entangled romance with a married man provide a stark contrast to Carole’s withdrawn world. Though Colin—a persistent yet gentle suitor—tries to bridge the gap, his attempts only highlight Carole’s growing discomfort and her instinct to retreat into solitude. The dynamic between sister and suitor underscores a delicate balance: Carole is simultaneously drawn to and repelled by the intimacy that surrounds her, leaving her suspended between longing for connection and the terror of exposure.

When Helen departs for an Italian holiday, taking the occasional visitor with her, Carole is left alone in the silent apartment. The sudden absence of familiar voices and the lingering traces of other lives heighten the sense of isolation, and the ordinary sounds of the building begin to echo like whispered threats. In this fragile quiet, Carole’s imagination starts to unravel, blurring the line between reality and nightmare. The film steadies itself in a slow‑burning, psychological tone, where every shadow and reflected surface hints at deeper unrest, inviting the audience to feel the claustrophobic world through Carole’s increasingly unsettled perspective.

Last Updated: December 04, 2025 at 23:41