Red Sun

In the quiet stretch between Hamburg and Munich, a solitary road becomes a fleeting conduit for Thomas, a weary traveler whose only plan is to reach the southern city before night falls. The journey, marked by the hum of distant traffic and the occasional stranger’s wave, feels like a brief escape from routine. Yet when a chance encounter brings him face‑to‑face with his former girlfriend, Peggy, the road‑trip’s simplicity gives way to an unexpected detour.

Peggy, still living in Munich, offers Thomas a roof for the night, a gesture that feels both familiar and strange. Her apartment is shared with four other women, each carrying their own habits and secrets. The house exudes a warm, lived‑in atmosphere—cluttered kitchens, lingering music, and whispered conversations that hint at an unspoken pact among the roommates. The air is thick with a blend of nostalgia and the subtle tension that comes from old bonds resurfacing in new circumstances.

As Thomas settles in, the ordinary hospitality begins to feel layered with enigmatic rules. The roommates’ “odd agreement” is mentioned in passing, its terms never fully explained, leaving a sense of curiosity that hangs in the hallway like a half‑opened door. The setting—a cramped Munich flat illuminated by low‑wattage bulbs—creates a mood that swings between the comforting anonymity of a stranger’s home and the prickly awareness that something just beneath the surface is being carefully guarded.

The film’s tone balances wistful reflection on past relationships with an undercurrent of suspense, inviting the audience to wonder what unseen dynamics bind these five women together and how Thomas will navigate the delicate balance between his lingering affection for Peggy and the mysterious rhythm of her newfound household.

Last Updated: December 04, 2025 at 23:10