Red Roses and Petrol

In the damp, cigarette‑filled rooms of a Dublin home, a family gathers for the wake of Enda Doyle, a university librarian whose quiet brilliance and restless spirit have left more questions than answers. The house, heavy with the smell of stale smoke and untouched food, becomes a stage where grief and sardonic humor mingle, casting a darkly comic glow over the inevitable reckonings that follow. The city outside continues its ordinary bustle, unaware of the emotional storm brewing within these walls.

​Moya, Enda’s widowed wife, finds herself thrust into the uneasy role of organizer, trying to hold together a clan whose love is as unsteady as the ashtray‑laden tables. Her daughter ​Medbh hovers nearby, caught between reverence for her father’s intellect and a yearning to forge her own path amid the family’s tangled history. Their conversations drift between tender memories and the unspoken tensions that have long simmered beneath the surface.

The arrival of ​Catherine and her partner ​Tom, fresh from New York, adds a fresh perspective that both illuminates and sharpens old wounds. Their presence stirs up stories and silences alike, hinting at connections that have long been kept at arm’s length. Meanwhile, the family’s estranged son ​Johnny remains an absent yet palpable force, his reputation as the “black sheep” lingering like a shadow over the gathering.

Even in death, Enda—sometimes recalled as McDowell—exerts a magnetic pull on those around him. His quirks, his charm, and the cryptic fragments of his life linger in whispered anecdotes and half‑finished jokes, shaping the atmosphere with a blend of melancholy and absurdity. The wake becomes a canvas for the family’s raw emotions, setting a tone that is simultaneously tender, acerbic, and unmistakably human.

Last Updated: August 10, 2025 at 09:14