Red Rooms

In the restless heart of Montreal, a courtroom becomes the city’s epicenter, its walls echoing with whispers of a figure whose name haunts the public imagination. The trial draws a frantic media circus, turning the ordinary streets into a stage for a story that feels both intimate and monstrous. Into this charged atmosphere steps Kelly‑Anne, a striking fashion model whose polished exterior masks a keen intellect and a lingering solitude that makes the proceedings all the more compelling.

Across the crowded gallery, Clementine arrives from afar, driven by a curiosity that borders on devotion. Their paths cross amid the clamor, and an unexpected friendship flickers into being, offering both women a brief haven from the surrounding frenzy. Clementine carries a fierce optimism, while Kelly‑Anne maintains a cooler, more measured perspective, creating a dynamic tension that underscores their contrasting ways of coping with the trial’s relentless intensity.

As the days wear on, the courtroom’s austere rhythm begins to shape Kelly‑Anne’s thoughts, drawing her deeper into a shadowed fascination with the enigmatic defendant, Ludovic Chevalier. The film balances sleek, modern visuals with a brooding, almost claustrophobic mood, exploring how obsession can bloom in the most public of spaces. With every testimony and every charged glance, the story probes the thin line between curiosity and compulsion, leaving viewers to wonder how far someone will go when the lure of the unknown becomes impossible to ignore.

Last Updated: August 09, 2025 at 19:34