Prey

In the quiet woods of rural England, an inexplicable green flash slices across the sky, heralding the arrival of a lone, otherworldly visitor. He appears as a strange, gaunt young man, his presence a stark contrast to the idyllic isolation of a centuries‑old manor perched on the edge of a mist‑shrouded field. The house, wrapped in the soft hush of countryside evenings, becomes the unlikely setting for an encounter that feels both intimate and alien, hinting at forces far beyond the familiar countryside.

Inside the manor live two women whose relationship has turned the house into a sanctuary of routine and quiet companionship. Jessica inherited the estate from her Canadian parents, bringing a restless curiosity that seeks something beyond the predictable cadence of vegetarian meals and modest pleasures. Jo, bold and wary of outsiders, dominates the household with a protective intensity, the balance of their dynamic hinging on trust, independence, and unspoken desires. Their world is small but richly textured, a blend of domestic tranquility and subtle undercurrents of longing.

The newcomer’s arrival upends that calm. Though he adopts the guise of a wounded traveler, an unmistakable, primal hunger whispers beneath his polite veneer. The alien’s motives are opaque, his appetite hinted at but never fully revealed, casting a shadow over the pair’s daily rituals. As the days stretch, the manor’s familiar rooms acquire an unsettling edge, every creak and distant rustle amplified by the knowledge that something fundamentally foreign now shares the same breath of air.

The film unfolds with a slow‑burning dread, its tone a careful mix of atmospheric horror and psychological tension. The serene English countryside becomes a character in its own right, its mist and muted light amplifying the sense of isolation. As the three inhabitants navigate the thin line between hospitality and suspicion, the audience is drawn into a world where ordinary life is perpetually on the brink of being consumed by the unknown.

Last Updated: December 04, 2025 at 22:59