Our Lady of the Assassins

Fernando returns to his hometown of Medellín after years of absence with the intention to die. His outlook on life is deeply cynical and bleak, shaped by his observations of how the city has changed from his idyllic memories to a place filled with violence and chaos. The death of his former lover Alexis only deepens his despair, and he struggles with suicidal thoughts throughout the film.

During one of Fernando's suicidal episodes or mental struggles, he inadvertently loses Alexis's weapon, his Beretta. This moment is significant because it leaves Alexis defenseless when rival gangs later attack him, directly contributing to his inability to defend himself during the assassination that leads to his death.

Alexis is killed by two youths on a motorcycle. One of them is Wilmar, the young man who later becomes Fernando's second lover. The assassination is part of the ongoing gang violence that plagues Medellín, and it occurs after Fernando's careless loss of Alexis's weapon has left him vulnerable.

Wilmar kills Alexis as an act of revenge. Earlier, Alexis had killed Wilmar's brother, sparking a cycle of vengeance between the two young men. When Wilmar discovers that Fernando is in a relationship with the man who murdered his sibling, the personal connection intensifies the violence.

Fernando is drawn to Wilmar because he bears a striking resemblance to Alexis, not just physically but also in his demeanor and mannerisms. This resemblance triggers powerful emotional responses in Fernando, stirring up unresolved feelings from his relationship with Alexis. He invites Wilmar to lunch hoping to reconnect with that lost connection, despite knowing the dangers of getting involved with someone entangled in Medellín's violence.

The cycle of violence follows a devastating pattern: Alexis kills Wilmar's brother, prompting Wilmar to seek revenge by killing Alexis. Later, Wilmar himself becomes a victim of the same relentless violence in Medellín. This creates a seemingly endless loop where each act of revenge begets another, trapping all the characters in a brutal cycle of murder and retribution that the film depicts as inescapable.

The final scene suggests Fernando succumbs to the same brutal fate as his lovers. After witnessing Wilmar's death, yet another senseless killing in Medellín's environment of relentless violence, Fernando is left overwhelmed by despair. The film hints that he may have taken his own life or been killed, sealing his fate within the cycle of atrocities that defines his hometown.

Alexis is involved in gang activities and works as a hitman in Medellín's violent underworld. This dangerous profession makes him a target for rival gangs and puts constant pressure on his relationship with Fernando. Despite his charm and the connection they share, Alexis lives in a world where violence is a daily reality, and his job as an assassin ultimately leads to his death.

Fernando is a middle-aged writer returning to Medellín after many years, while Alexis is described as a sixteen-year-old struggling with a violent upbringing. The significant age gap, combined with Alexis's young age and Fernando's position as an established adult, creates a power dynamic that adds complexity to their forbidden relationship.

After Alexis is killed, Fernando visits his mother's home to offer her financial support. This act shows Fernando's attempt to reconnect with his roots and find some meaning in the aftermath of his lover's death. Despite his own despair, he reaches out to the family of the man he loved, providing them with money as a way of coping with his grief.

Fernando bears indirect responsibility for Alexis's death through his own mental health struggles. During his suicidal thoughts and emotional turmoil, he loses Alexis's Beretta, the weapon that could have helped Alexis defend himself during the assassination attempts. This careless act leaves Alexis vulnerable and defenseless when rival gangs attack him.

Wilmar bears such a striking resemblance to Alexis that Fernando is immediately drawn to him upon meeting him on the streets of Medellín. This goes beyond physical appearance, it includes similar mannerisms, demeanor, and even involvement in the same violent world. The uncanny similarity is what prompts Fernando to approach Wilmar and eventually begin a new romantic relationship with him.