Nadikar

David Padikkal is a marquee name in the Malayalam film industry, riding a wave of superstardom that comes with a loyal entourage. Alongside him is his long-time manager, Paily Kuravilangad, and his make-up man-cum-driver, Lenin, who are almost as famous as the man himself. The narrative makes it clear that, while his track record has been filled with blockbusters, his on-screen charisma often clashes with his off-screen habits. He is depicted as irresponsible and arrogantly confident, always chasing party nights and romance, and seldom showing up on time to shoot locations. This careless streak has started to darken his reputation: the last three projects flopped, and the team behind his next film—directed by a filmmaker named Koshy—loses faith in his ability to deliver.

When a harsh confrontation on set leads to a public mistake, the fragile balance in his career begins to crack. After injuring a crew member in a car incident during a tense moment on the shoot, the film’s future looks grim, and the crew members’ confidence in him plummets. In a bid to ride out the storm, David, Lenin, and Paily retreat to Dubai, hoping the hiatus will salvage his image and keep the project afloat. The movie-within-the-movie is shelved, and life on the other side of the world becomes the new distance between him and the old life he knows.

Back home and facing a renewed pressure to perform, David’s path takes a sharper turn when the team introduces him to Chandradas, a sharp-witted acting coach who sees the gaps in his craft. The coaching debut is rough: a drunk David resists the guidance, insisting he can portray everything on his own without any help. He even tries to hide the fact that he has enlisted coaching by telling others that Bala is the driver who caused the earlier trouble, all to protect a glossy public image that his fans expect. Bala himself tries to guide him, but the moment is tangled by David’s pride and fear of exposure. This initial rejection hurts Bala, who leaves the caravan midway, and David’s producers begin to worry about the shadow cast over his team.

A turning point arrives when David reaches out to his ex-girlfriend and former co-star, Ann Bava. The conversation is candid: Ann bluntly tells him to move away from chasing indiscriminate relationships and drugs, to take his craft seriously, and to stop defining himself by a deluded “superstar” label. Her words strike a chord, and David recognizes the need to change. He admits his mistakes, and in a moment of humility, he asks Bala to give him another chance. Bala agrees to rejoin, and the collaboration rekindles a working rhythm that begins to reveal the actor’s true potential.

With Bala back in his corner, David’s on-screen performances start to improve noticeably. The pair even faces a public moment together at a press conference, where David openly asks his fans to weigh in on which of his performances stands out as his best. Bala pushes him to confront a more honest question: what are the moments that truly connect with an audience, not just the ones that blew up in his aura of stardom? The message is clear: shed the superstar ego and embrace the identity of an actor—the craft itself.

The story then advances to a chance to act in a film directed by a mentor figure, S. Sasi—a moment that promises growth but soon collides with real-life tests. While filming, a crowd of locals interrupts the set, escalating tension and leading to a clash that harms the shoot and strains everyone involved. In a moment of raw emotion, David erupts at Bala and Lenin, venting years of frustration about missed opportunities and the mounting pressure of failed films. This confrontation cuts deep: Bala ends the professional relationship, and Lenin, hurt and disillusioned, finds himself reconsidering the depth of his own feelings for David.

Yet guilt gnaws at David. He withdraws and begins to confront the pain of his past, including the long-standing ache of his mother leaving him as a child. This inner turmoil culminates in a powerful, emotionally charged sequence that marks a breakthrough in his acting—a scene that demonstrates the kind of depth Bala has been trying to coax out of him. The moment signals a new commitment to discipline and a renewed seriousness about his career.

A life-saving turn comes when a fan teeters on the edge of despair, contemplating suicide. David rushes to help, only to become entangled in a perilous sequence of events that ends with the admirer slipping from a bridge and falling underwater. David dives in, but he cannot swim, and in a twist of fate, the admirer ends up saving him instead. David brings the rescuer home, a moment that adds a new layer to his understanding of courage and responsibility and begins to heal the rift that had formed between him and those around him.

The reconciliation continues when David visits Bala’s home to apologize. Bala’s response is unexpectedly generous: he shares a biriyani and reiterates that their collaboration had achieved its purpose. He suggests that there is no longer a need for Bala’s help, sealing a bittersweet resolution to this chapter of his career. A few days later, David returns to the set of Koshy’s film and nails the first shot, impressing the director with his growth and skill. The story closes on a note of quiet triumph: David acknowledges that their mission—the journey from superstardom to true acting—has been accomplished, and the final scene leaves him ready to embrace the next chapter of his career.

Throughout this journey, the film threads a meditation on fame, responsibility, and the evolution of a performer who learns to translate charisma into genuine craft. The cast we meet along the way—Shine Tom Chacko in a cameo and Ganapathi S Poduval as a friend who appears in the backdrop of these events—frames a world where even the brightest stars must confront their own flaws to reconnect with their art and the people who matter.

Last Updated: October 01, 2025 at 10:21