Latter Days

In the sun‑drenched sprawl of Los Angeles, the city’s restless energy clashes with quiet faith traditions. Neon signs and palm‑lined boulevards frame a world where missionaries navigate modernity, and everyone—whether serving tables or crafting songs—searches for a place they can truly call home. The film’s tone is intimate yet vibrant, blending the glossy surface of LA life with the lingering ache of hidden yearning.

Aaron arrives from the quiet hills of Idaho, fresh‑off his mission call and steeped in the teachings of his church. As a young elder, he carries a deep devotion that guides his daily routine, yet the glittering metropolis tests his convictions in unexpected ways. He lives among fellow missionaries, each grappling with the weight of belief while the city whispers alternatives that feel both thrilling and threatening.

Across the hallway, Christian—a charismatic, openly gay young man—makes his living as a waiter in a trendy restaurant owned by the retired actress Lila. His confidence and playful daring contrast sharply with Aaron’s earnest restraint, setting the stage for a subtle, electric pull between them. Their interactions hint at a friendship that could become something more, prompting both to question the narratives they’ve been taught about love, purpose, and identity.

Supporting voices—Julie, Christian’s roommate and aspiring songwriter, and the warm‑hearted staff at the restaurant—offer glimpses of community that both uplift and challenge the protagonists. As the two men navigate the juxtaposition of sacred duty and personal truth, the story promises a heartfelt exploration of acceptance, the courage to confront inner conflict, and the possibility that love may flourish in the most unlikely of neighborhoods.

Last Updated: August 10, 2025 at 10:54