Starring Lara Rossi, Samuel Widmer, Florence Mottaz and Blaise Brechbühl, this tense Belgian drama unfolds in the industrial town of Seraing and centers on a teenage apprentice named Igor who works at a neighborhood garage.
Igor's relationship with his father, Roger, is practical but strained, built on a cruel rhythm of cooperation and crime. Together with their partner-in-crime Nabil, they traffic undocumented immigrants, house them in shabby conditions, and exploit their labor for the smallest possible return. Among their latest captives is Assita, a mother trying to keep her child safe, whose husband Hamidou is a gambler unable to settle their transportation fee in full. To complicate matters, Roger offers the immigrants a 50% rent discount if they lend a hand with a nearby construction project on a derelict “white house.”
Igor grows uneasy with the scheme as kindness bleeds into pity. He begins helping Assita by providing heating supplies without asking for anything in return and gradually squares this softer impulse with a growing, troubling attraction to Assita herself.
The tension escalates when a wave of media pressure reaches the mayor, spurring actions against illegal immigration. Roger orders Igor to lure four of their captives to a bar under the pretense of a trip to America, where they are promptly seized by police. Igor then moves to protect the rest, delivering passports to the others and witnessing Hamidou gamble again and Assita perform a ritual she believes will ward off evil from her baby—a ritual Igor tries to dismiss as superstition.
The crisis comes to a head when labor inspectors are announced. Igor arrives late to the garage and is forced to quit his apprenticeship, thrusting him further into Roger’s schemes. He rushes to the white house, trying to halt the work and shepherd everyone away, but Hamidou stays behind and is injured in a fall from the scaffolding. Igor promises to take care of Assita and her child, and for a moment, he and Roger work together to bluff the inspectors and escape exposure.
Back at the site, Igor discovers Hamidou bleed out. He improvises with a belt as a tourniquet, but Roger halts him from taking Hamidou to a hospital and instead helps bury the body behind the white house, concealing the death with cement. The pair then confront a new wave of danger when two men come demanding Hamidou’s gambling debts. Igor pays Nabil to pretend the debt is owed to Hamidou and uses the money to help Assita pay off the collectors. The arrangement strains the fragile ties within the family business, and Nabil’s duplicity soon becomes a liability that Roger immediately confronts, assaulting Igor before reestablishing a fragile truce and arranging a prostitute for Igor to lose his virginity.
The plot thickens at the apartment, where Nabil attempts to assault Assita. Igor uses this moment as a pretext to urge Assita to return to Africa, hoping to deflect suspicion about Hamidou’s disappearance. Assita refuses, insisting on going to the police and clinging to superstition that Hamidou might still be nearby.
Roger escalates his manipulation by sending a telegram in Hamidou’s name to Assita, claiming he is in Cologne and offering to meet at the station there. He even volunteers to drive her to Europe so he can traffic her again. Igor recognizes the danger and seizes a chance to move the van away when Roger is momentarily absent, rescuing Assita from being lured into further peril.
Igor helps Assita report the situation to the police, and they hide for a night in the garage of Igor’s old boss. Assita mentions a town in Italy where family awaits, but she remains determined to find Hamidou first. This decision fractures Igor’s heart, yet he offers quiet support and emotional warmth rather than judgment. He phones Roger, who tries to pull him back, but Igor only shares the location of the van and keys before ending the call.
As they press on, Igor and Assita move from the garage to the streets, where Assita’s baby falls ill. The lack of insurance at the hospital creates a steep bill, but Rosalie, an African janitor, steps in to help cover the costs. The next day, Rosalie brings them to a seer who persuades Assita to consider traveling to Italy to join relatives. Rosalie lends her ID, and Igor pawns a ring Roger had given him to fund the journey. Just as departure nears, Roger arrives again. Igor insists on telling Assita the truth about Hamidou, but Roger attacks him. Assita knocks Roger unconscious, giving Igor a brief window to chain him to a piece of machinery in the garage.
When Roger regains consciousness, he tries to reconcile, but Igor leaves him hanging. On the way to the train station, Igor remains somber until he finally tells Assita what happened to Hamidou. She does not respond with anger or relief, but simply heads toward the station’s entrance, and Igor follows, their fates now interwoven as the film closes on a quiet, unresolved moment.
