Rahul, Tusshar Kapoor, and his best friend Karan Pandey, Ritesh Deshmukh, are a study in contrasts: Rahul is sincere and hardworking, while Karan embodies the opposite—bold, flashy, and always chasing the next big thrill. After they’re evicted from their apartment, the pair resort to a secret life, slipping back into the flat from the back door and patching together a makeshift existence while they chase girls and chase moments of freedom. Their quest for romance leads them to crash a college reunion party, only to be tossed out when their antics are exposed, setting the tone for a string of comic misfires.
Karan’s quick-witted, reckless schemes keep piling up. At one point, he tries to charm a girl by stealing a car, a stunt that lands him in police trouble. He returns to Rahul with a gleam of bravado, insisting the night was a wild success, even as the truth remains sketchy. In another thread, a wandering baba foresees Rahul’s future love, prophesying that his soulmate will bear a mole on her chest, a detail that later seems to echo through the story in unexpected ways.
The city itself becomes a backdrop for danger as a rash of rapes and killings unsettles everyone. The police, aided by Dr. Screwvala, a psychiatrist/psychologist, mount a search for a dreaded serial killer. Misunderstandings begin to mount, and Rahul is thrust into the role of prime suspect, a predicament that strains his friendship with Karan. Meanwhile, Karan endures a brutal encounter with a violent lady inspector, and once again fabricates a story to Rahul about what happened, keeping the tension high and the comedy tempered by danger.
Into this swirl of pursuit and prejudice, Urmila Isha Koppikar enters the frame. Urmila is sent on Rahul’s trail, though the investigation quickly takes a turn toward mistaken identities. She is taken to a salon for a dramatic makeover under the doctor’s instruction, gagged with tape as part of the disguise, and then crosses paths with Rahul in a transformed, alluring appearance. Rahul, drawn to the new persona, falls in love with her, inviting her to quietly stay in his flat. The disguise complicates their bond as Urmila’s undercover mission and growing feelings blur the lines between duty and desire, leading to moments where sensual allure collides with police work.
In a parallel arc, Karan develops feelings for Kiran, the boss’s ex who is actually Rekha’s brother in a twist of mistaken identities. Kiran is portrayed by Bobby Darling, and the romance becomes entangled in a web of family ties, past affiliations, and hidden loyalties. Rekha, a psychologist, becomes a pivotal figure in this dynamic, linking the two romances as the movie hurtles toward its twists and turns. Rekha Neha Dhupia and D.K. are drawn into the tangled plot as revelations unfold, with D.K. stepping in to address the escalating chaos around love, identity, and truth.
The climax centers on a temple wedding where Karan believes he is about to wed Kiran, unaware of the true nature of his bride. Rekha and D.K. race against time to reveal the truth, and Rekha finally discloses that she had been communicating with Karan under the Kiran disguise all along. The revelation reshapes Karan’s feelings, leading him to recognize his real love and reunite with her. The pursuit of Rahul’s innocence reaches a turning point when the real rapist is unmasked—Uma Shankar Tripathi—insisting on his guilt and bringing a decisive arrest that clears Rahul’s name. In the aftershocks of the case, Rahul and Urmila find their way back to each other, restoring their bond as the film moves toward a hopeful close.
Along the way, a brief cameo adds a pop-cultural note to the mix: Jay Sean appears as himself, joining the film’s playful mingling of personalities and twists. The story ultimately threads together mistaken identities, comic capers, and genuine moments of affection, delivering a finish where love prevails, justice is served, and the emotional throughline between Rahul and Urmila finds its balance again.
